Results 1 to 10 of about 47 (46)
Stability and Change in Gender Identity and Sexual Orientation Across Childhood and Adolescence. [PDF]
Abstract As increasing numbers of transgender, gender diverse, and queer youths come out to their friends, families and communities, their rights to express their identities in public life have become the subject of intense media scrutiny and political debate.
deMayo BE +3 more
europepmc +2 more sources
How Accurate is whosampled.com?: Exploring the reliability of a user-generated resource
Whosampled.com is a website that hosts user-compiled lists of samples, covers, and remixes of pre-existing music. This article will evaluate the accuracy of the information on whosampled.com through cases studies on the music of Bruno Mars, Janelle Monáe,
Jeremy Orosz
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Alter Egoing: The Shifting Affects of Janelle Monáe
In this article, I use alter egoing as a heuristic, a method for solving the problem of the evolving alter egos of Black women in popular music. When alter egos are analyzed through this lens, the refashioning of artistic imaginaries become legible as ...
Larissa A. Irizarry
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Janelle Monáe’s Sartorial Reconceptualization of the Black Gendered Body
Janelle Monáe is known for her black and white attire, pompadour hairstyles, James Brown-inspired dance moves, android alter-ego (Cindi Mayweather), and bent toward Afrofuturism. Monáe is also known for her politics.
Walters Tracey
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Beyond Literature: Toni Morrison’s Musical and Visual Legacy For Black Women Artists
The aim of this article is to analyze Toni Morrison’s understudied influence on music and visual art. In 1994 she established the Atelier Program in Princeton University as an interdisciplinary arts program that supported and nurtured ...
Rocío Cobo-Piñero
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Tras la crisis mundial de la industria discográfica de los años noventa, la música popular y su industria han tenido que repensarse. Su alianza con el negocio transmedia y su lógica narrativa han sido parte de esa transformación.
Ana María Sedeño-Valdellós
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Camp and Pop: David Bowie, Oskar Schlemmer, Madonna and Janelle Monáe
While contemporary pop culture is nowadays considered part of the cultural mainstream, its practices of codification and its use and circulation of signifiers are still shaped by its roots in counterculture.
Kathrin Dreckmann
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Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
This article discusses the visual, textual, and musical aesthetics of selected concept albums (Vinyl/CD) by Afrofuturist musicians Erykah Badu and Janelle Monae.
Aghoro Nathalie
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Vessels of Transfer: Allegories of Afrofuturism in Jeff Mills and Janelle Monáe
The performances, music, and subjectivities of Detroit techno producer Jeff Mills—radio turntablist The Wizard, space-and-time traveller The Messenger, founding member of Detroit techno outfit Underground Resistance and head of AXIS Records—and ...
tobias c. van Veen
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“Okay ladies, now let’s get in formation!”: Music Videos and the Construction of Cultural Memory
This paper explores strategies for constructing and perpetuating cultural memory through music videos, using Beyonce’s Formation (2016) and Janelle Monae’s Many Moons (2008) and Q.U.E.E.N. (2013) as case studies. The medium’s idiosyncrasies create unique
Bertens Laura M. F.
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