Results 121 to 130 of about 3,870 (168)
Some of the next articles are maybe not open access.
Interactive System for Character Segmentation of Woodblock-Printed Japanese Historical Book Images
2013 International Conference on Culture and Computing, 2013This paper proposes an interactive system for analyzing digitized woodblock-printed Japanese historical books. This system includes stain and smear removal, background separation, character line extraction, and character extraction by region labeling with integration and separation techniques.
Chulapong Panichkriangkrai +2 more
openaire +1 more source
2018 7th International Congress on Advanced Applied Informatics (IIAI-AAI), 2018
We have already developed an interactive system for analyzing and transcribing digitized Japanese historical woodblock-printed books, which has functions for layout analysis, character segmentation, transcription, and the generation of a character image database.
Chulapong Panichkriangkrai +4 more
openaire +1 more source
We have already developed an interactive system for analyzing and transcribing digitized Japanese historical woodblock-printed books, which has functions for layout analysis, character segmentation, transcription, and the generation of a character image database.
Chulapong Panichkriangkrai +4 more
openaire +1 more source
CONSERVATION WORK IN PROGRESS ON THE CLAUDE MONET COLLECTION OF JAPANESE WOODBLOCK PRINTS AT GIVERNY
Studies in Conservation, 1988*This table is taken from the author's thesis, 'Japanese papers (wash i) used in the conservation of western prints and drawings, study and critical analyses', Institut Francais de Restauration des Oeuvres d'Art, Paris, 1984. This thesis was based on the study, testing and comparison of 17 different Japanese papers, half of them available in Europe ...
openaire +1 more source
Journal of the American Institute for Conservation, 2017
As part of a project designed to systematically identify colorants on Japanese woodblock prints, excitation–emission matrix (EEM), or three-dimensional, fluorescence spectroscopy, equipped with a fiber optic probe, was used to characterize natural yellow and red organic colorants on 18th-century Japanese prints without taking samples.
Michele Derrick +2 more
openaire +1 more source
As part of a project designed to systematically identify colorants on Japanese woodblock prints, excitation–emission matrix (EEM), or three-dimensional, fluorescence spectroscopy, equipped with a fiber optic probe, was used to characterize natural yellow and red organic colorants on 18th-century Japanese prints without taking samples.
Michele Derrick +2 more
openaire +1 more source
Evolving Techniques in Japanese Woodblock Prints.
Monumenta Nipponica, 1979Oliver Statler +2 more
openaire +1 more source
Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection
2020In 1930, the Japanese artist Yoshida Hiroshi (1876–1950) spent several months travelling in India and Southeast Asia. After his return to Japan he produced a series of 32 woodblock prints inspired by his travels. A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the ...
Pollard, C, Kumbera Landrus, M
openaire +1 more source
2019
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868.
Eischen, MaryJane +2 more
openaire +1 more source
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868.
Eischen, MaryJane +2 more
openaire +1 more source
2018
This descriptive study returned to the 22 participant institutions of the ASIANetwork / Luce Asian Art Consultancy program (2005–2008) to question the narrative of Japanese woodblock prints through the organization and accessibility of their collections.
openaire +1 more source
This descriptive study returned to the 22 participant institutions of the ASIANetwork / Luce Asian Art Consultancy program (2005–2008) to question the narrative of Japanese woodblock prints through the organization and accessibility of their collections.
openaire +1 more source
Integrative oncology: Addressing the global challenges of cancer prevention and treatment
Ca-A Cancer Journal for Clinicians, 2022Jun J Mao,, Msce +2 more
exaly
Plant Dye Identification in Japanese Woodblock Prints
Arnoldia, 2017Michele Derrick +2 more
openaire +1 more source