Results 31 to 40 of about 1,214 (84)

The Evolution of Cultural Transfer: The Dialectic of “Self” and “Other”. Review of the Collective Monograph “Japanese Culture in the West” ed. by Katasonova, E.L. and Dolin, A.A

Russian Japanology Review
The article presents an overview of the collective monograph “Japanese Culture in the West” ed. by Katasonova, E. L. and Dolin, A. A (Moscow: Institute of Oriental Studies of RAS, 2024. 544 p. ISBN: 978-5-907846-81-4).
N. N. Izotova
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Noh Collaboration:

Crossings, 2018
Ezra Pound was initially more interested in Noh than in Ernest Fenollosa’s notes on Chinese poetry. The attention paid to “Ezra Pound and China” often obscures Pound’s interest in Noh, his first love in Fenollosa’s notes, and the actual work of the ...
Abid Vali
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Japonisme in the Austro-Hungarian Monarchy

, 2020
The book Japonisme in the Austro-Hungarian Monarchy tries to demonstrate how the recognition of Japanese culture gained ground in the territory of the Austro-Hungarian Monarchy and the way it inspired local artists to create objects of Japonisme.

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Louise Jopling, esthète réticente, féministe convaincue

Cahiers Victoriens et Edouardiens, 2011
Le cas de Louise Jopling (1843-1933) illustre à merveille les pressions qui pesaient sur les peintres victoriennes dès lors qu’elles tentaient de s’imposer sur le marché de l’art.
Laurent Bury
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About the Liebig Company’s Advertising Card Collection History of Japan (1938)

Russian Japanology Review
This article examines a little-studied visual source: a series of advertising cards, History of Japan, included with packages of meat extract from The Liebig Company; the series was released in 1938 in Switzerland.
D. Kiknadze
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Lesbian Japan in Paule Riversdale’s Netsuké (1904)

Arts
Netsuké (1904) is an illustrated collection of short stories co-written by Renée Vivien (née Pauline Mary Tarn, 1877–1909) and her lover Hélène van Zuylen (1863–1947) under the pseudonym Paule Riversdale.
Hyoungee Kong
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La construction de l’histoire de l’art au Japon à travers les échanges franco-japonais

Perspective, 2015
Art history appeared in Japan at the end of the nineteenth century, inspired by trends in the West. As a discipline, it went on to evolve in the direction of two major areas of study: Japanese art and Western art.
Atsushi Miura
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Jean-Francis Auburtin : le Japonisme [PDF]

, 2013
Introduite par un résumé en une double page de ce qu’est le Japonisme, puis une biographie sommaire de Jean-Francis Auburtin, cette monographie propose en dix chapitres un découpage thématique (« Un collectionneur d’art japonais », « L’observation de la ...
Froger, Lilian
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Reversing cultural identity in the West: the 1935-1936 International Exhibition of Chinese Art in London: in philosophical perspective

Trans/Form/Ação
The 1935-1936 International Exhibition of Chinese Art in London played a pivotal role in reshaping Western perceptions of Chinese cultural identity. This study examines the philosophical and curatorial frameworks underpinning the exhibition, analyzing ...
Yanhong Liu
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Overhead modernity: airplanes, skywriting, and heterotopia in the sky

Artnodes
Screenology, or Media Archaeology of the Screen, has occupied me for over twenty years. I am more and more convinced that its investigations must be taken far back in time and also beyond the Western world.
Erkki Huhtamo
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