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Jean-Luc Godard

2023
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Jean-Luc Godard

2020
Jean-Luc Godard hat mit seinem Œuvre das Kino revolutioniert. Was er als Kritiker in der Filmzeitschrift Cahiers du cinéma vom französischen Kino forderte, setzte er später als Hauptvertreter der Nouvelle Vague in seinen Werken praktisch um. In Außer Atem (1960) verwendet er als erster Regisseur den Jump-Cut, in Die Verachtung (1963) bricht er immer ...
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Jean-Luc Godard

2016
Few filmmakers have attracted as much academic and critical writing as Jean-Luc Godard. Perhaps only Alfred Hitchcock is comparable in terms of the sheer number of scholars who have approached his work over three or four generations. Unlike Hitchcock, Godard has spawned few imitators among other film directors.
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Jean-Luc Godard—musicien: die Musik in den Filmen von Jean-Luc Godard , and: Jean-Luc Godard (review)

Notes, 2011
Jean-Luc Godard-musicien: die Musik in den Filmen von Jean-Luc Godard. By Jurg Stenzl. Munich: Edition Text + Kritik, 2010. [464 p. ISBN 9783869160979. i48.] Music examples, facsimiles, interview, bibliography, filmography, discography, index. Jean-Luc Godard. Edited by Bernd Kiefer. (Film-Konzepte, edited by Thomas Koebner and Fabienne Liptay, Heft 20.
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The Films of Jean-Luc Godard

1999
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of ...
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The Legacies of Jean-Luc Godard

Modern & Contemporary France, 2015
Massively more written about than viewed nowadays, the work of Jean-Luc Godard continues to stimulate more analytic and critical interest than that of virtually any other living film-maker.
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Godard, Jean-Luc (1930–)

2018
One of the most important filmmakers in the latter half of the 20th century, Jean-Luc Godard’s reputation remains enduringly linked with the French nouvelle vague movement of the late 1950s and early 1960s; but his protean work in film and video has spanned more than six decades, from his first articles as a critic in 1950 to the planned release of ...
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