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In Jean-Luc Godard: Philosopher/Insurgent, Jonathan Scott Lee contends that renowned filmmaker Jean-Luc Godard can be most accurately considered as a philosopher who uses cinema and video as his media to develop provocative aesthetic interventions into contemporary political situations and dilemmas.
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Godard Jean-Luc, Histoires(s) du cinéma,; Jean-Luc Godard par Jean-Luc Godard
Vingtième Siècle. Revue d'histoire, 1999Résumé
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2020
Jean-Luc Godard hat mit seinem Œuvre das Kino revolutioniert. Was er als Kritiker in der Filmzeitschrift Cahiers du cinéma vom französischen Kino forderte, setzte er später als Hauptvertreter der Nouvelle Vague in seinen Werken praktisch um. In Außer Atem (1960) verwendet er als erster Regisseur den Jump-Cut, in Die Verachtung (1963) bricht er immer ...
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Jean-Luc Godard hat mit seinem Œuvre das Kino revolutioniert. Was er als Kritiker in der Filmzeitschrift Cahiers du cinéma vom französischen Kino forderte, setzte er später als Hauptvertreter der Nouvelle Vague in seinen Werken praktisch um. In Außer Atem (1960) verwendet er als erster Regisseur den Jump-Cut, in Die Verachtung (1963) bricht er immer ...
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2016
Few filmmakers have attracted as much academic and critical writing as Jean-Luc Godard. Perhaps only Alfred Hitchcock is comparable in terms of the sheer number of scholars who have approached his work over three or four generations. Unlike Hitchcock, Godard has spawned few imitators among other film directors.
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Few filmmakers have attracted as much academic and critical writing as Jean-Luc Godard. Perhaps only Alfred Hitchcock is comparable in terms of the sheer number of scholars who have approached his work over three or four generations. Unlike Hitchcock, Godard has spawned few imitators among other film directors.
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Notes, 2011
Jean-Luc Godard-musicien: die Musik in den Filmen von Jean-Luc Godard. By Jurg Stenzl. Munich: Edition Text + Kritik, 2010. [464 p. ISBN 9783869160979. i48.] Music examples, facsimiles, interview, bibliography, filmography, discography, index. Jean-Luc Godard. Edited by Bernd Kiefer. (Film-Konzepte, edited by Thomas Koebner and Fabienne Liptay, Heft 20.
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Jean-Luc Godard-musicien: die Musik in den Filmen von Jean-Luc Godard. By Jurg Stenzl. Munich: Edition Text + Kritik, 2010. [464 p. ISBN 9783869160979. i48.] Music examples, facsimiles, interview, bibliography, filmography, discography, index. Jean-Luc Godard. Edited by Bernd Kiefer. (Film-Konzepte, edited by Thomas Koebner and Fabienne Liptay, Heft 20.
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1999
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of ...
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The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of ...
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The Legacies of Jean-Luc Godard
Modern & Contemporary France, 2015Massively more written about than viewed nowadays, the work of Jean-Luc Godard continues to stimulate more analytic and critical interest than that of virtually any other living film-maker.
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