Results 61 to 70 of about 337 (173)
This paper explores the cartographic gestures of Jean-Luc Godard, Jean-Daniel Pollet, and Tariq Teguia by analyzing the circulation of referents and representations of the Mediterranean in several of their films.
Célia Jerjini
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Naked, Deformed, Violated Body. A Montage in the Histoire(s) du cinema of Jean-Luc Godard
The article analyses Histoire(s) du cinéma (1988-1998), a cinematic essay by Jean-Luc Godard, and in particular it focuses on the controversial montage in which the French director aligns extracts from a pornographic film, Tod Browning’s Freaks, and ...
Alberto Brodesco
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Fransız sineması; dünya sineması içinde sinemanın doğduğu günden bugüne kadar önemli bir yere sahiptir. Fransız sinemasının dünya sinemasında önemli yere sahip olmasına ve bir ekol olarak ortaya çıkmasına etki eden en önemli sebep, 1950’li yılların ...
Erhan Yıldırım, Aytekin Can
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PupillOmetry for preDIction of DeliriUM in ICU (PODIUM): protocol for a prospective multicentre cohort study. [PDF]
Jaquet P +14 more
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In-Depth Characterization of Full-Length Archived Viral Genomes after Nine Years of Posttreatment HIV Control. [PDF]
Trémeaux P +12 more
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Este artigo é uma investigação sobre a atuação do cineasta Jean-Luc Godard e sua produtora Sonimage em Moçambique, em 1978, em um projeto em conjunto com o governo marxista do país recém-independente.
Karen Barros da Fonseca
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CineScale: A dataset of cinematic shot scale in movies. [PDF]
Savardi M +3 more
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Cahiers du Cinéma and Jean-Luc Godard
This chapter focuses on the relationship between Cahiers du cinéma in the post-1968 period and the nouvelle vague filmmaker Jean-Luc Godard. The links between the two ran deep: Godard had been a critic for the journal in the 1950s, while in the 1960s and 1970s he stood alongside Straub/Huillet as the quintessential representative of
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