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Jacques Derrida and Jean-Luc Marion
2022AbstractThis essay maps the issues of interpretation of the Dionysian corpus that divide the twentieth-century French philosophers Jacques Derrida and Jean-Luc Marion. It charts the development of these issues through four publications: Derrida’s 1968 essay ‘Differance’, Marion’s 1977 monograph Idol and Distance, Derrida’s 1987 essay ‘Denials: How to ...
Timothy D Knepper
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Jean-Luc Marion in Deutschland
Philosophische Rundschau, 2020In diesem Beitrag wird eine kritische Analyse einiger ins Deutsche übersetzter Werke Jean-Luc Marions sowie einschlägiger Forschungsliteratur präsentiert. Die hier eigenommene Perspektive ist diejenige der klassischen Metaphysik, wie sie im Kontext der italienischen Neuscholastik entwickelt worden ist. Anhand dieser Auffassung soll gezeigt werden, dass
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New Blackfriars, 1995
The rue d’Ulm in the centre of Paris, a small almost insignificant street close to the Parthenon and the Jardin de Luxembourg, houses one of the most important and prestigious academic institutions in France: the École Normale Supérieure. Founded in the first decade of the 19th century with entrance by a nationwide competitive examination, it has ...
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The rue d’Ulm in the centre of Paris, a small almost insignificant street close to the Parthenon and the Jardin de Luxembourg, houses one of the most important and prestigious academic institutions in France: the École Normale Supérieure. Founded in the first decade of the 19th century with entrance by a nationwide competitive examination, it has ...
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A Dialogue with Jean-Luc Marion
Philosophy Today, 2004Boston College, 2 October 2001 Kearney: They are many similarities be-tween your work, Jean-Luc, and mine: we both owe a great deal of our philosophical formation to the phenomenologies of Husserl and Heidegger; we have both en-gaged ourselves in close dialogue with Levinas, Ricoeur, and Derrida.
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2009
Through his critique of metaphysics and ontotheology, Marion seeks to retrieve the possibility of accessing God differently (Marion 2001). Since the “death of God” only consisted in the death of idolatry (Marion 1991: 25ff.), the distinction between idol and icon has paramount importance for him.
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Through his critique of metaphysics and ontotheology, Marion seeks to retrieve the possibility of accessing God differently (Marion 2001). Since the “death of God” only consisted in the death of idolatry (Marion 1991: 25ff.), the distinction between idol and icon has paramount importance for him.
openaire +1 more source