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Mary Wigman und Jerzy Grotowski
2011The starting point for this scientific work is the dance Hexentanz which was enacted by the german expressionist dancer Mary Wigman in 1926. She describes the feeling she had during the performance as a kind of self-revelation. Through certain kinds of body movements and the use of a mask, she achieved a dance-ecstasy, and through that initiated a ...
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A Study on Jerzy Grotowski as a Director - Focused on Spectatorship in Grotowski’s work -
Journal of acting studies, 2019openaire +1 more source
‘I don't attack it, but it's not for actors’: the use of yoga by Jerzy Grotowski
Theatre, Dance and Performance Training, 2010exaly