Results 1 to 10 of about 476 (131)
Emotionally-oriented design in museums: a case study of the Jewish Museum Berlin [PDF]
ObjectiveThis study examines the intricate interplay between architectural design and visitor emotional responses at the Jewish Museum Berlin, focusing on how specific spatial elements such as the Holocaust Tower, Garden of Exile, The Voids, and The Axis
Zhihui Zhang, Jing Lu, Xiuying Zhang
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The Libeskind Jewish Museum in Berlin, the unpresentable and experience
This paper is an attempt to interpret the design or spatial modulation of an important work of architecture in Berlin, Germany, namely Daniel Libeskind’s Jewish Museum.
Bert Olivier
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Experiencing memory museums in Berlin. The Otto Weidt Workshop for the Blind Museum and the Jewish Museum Berlin [PDF]
This article explores memory studies from the audience’s perspective, focusing on the perception of Holocaust narratives in two museums in Berlin.
Ana Souto
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Metaphysics in Architecture- The Jewish Museum in Berlin case study [PDF]
There are many sources that architects rely on as an intellectual impetus for their inspiration in architecture concepts and projects design. One of the most influential sources is the metaphysical legacies of previous civilizations and religions that ...
Houssam Bahgat
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Encountering empty architecture: Libeskind’s Jewish Museum Berlin [PDF]
Claire Farago and Donald Preziosi once pointed out how recent art museums by architect Daniel Libeskind allow for altered relationships between exhibitions and visitors.
Henrik Reeh
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BETWEEN MUSEUM, MONUMENT AND MEMORIAL: DANIEL LIBESKIND’S JEWISH MUSEUM IN BERLIN (1999)
The main hypothesis of this paper is that Libeskind’s Jewish Museum in Berlin is moving between museum, monument and memorial, that is, that this musuem is ‘place of memory’ (lieu de mémoire).
Željka Pješivac
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Not what we expected: the Jewish Museum Berlin in practice
An extensive existing literature studies Daniel Libeskind’s deconstructivist design for the Jewish Museum Berlin (JMB). This article focuses instead on the museum’s exhibits from 2001 to today, their evolution in response to visitor criticisms, and their
Peter Chametzky
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How does the Jewish Museum Berlin (JMB) present the stories of the youngest participants in the Second World War? What role do children play in the narrative of the museum?
Marcin Zaborski
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The publishing tycoon Rudolf Mosse (1843–1920) donated over 700 objects to the Egyptian Museum in Berlin between 1892 and 1894, among them the Green Head from a royal statue of Amasis (ÄM 11864).
Thomas L. Gertzen, Jana Helmbold-Doyé
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0290 The Antiquities Trade during the German Occupation of France, 1940–1944
Despite the confiscation of many art collections, mainly from Jewish families, the Parisian art market was prosperous during the German occupation of France, from 1940 to 1944.
Mattes Lammert
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