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Guest Artist Concert Early Music Series: Richard Boothby, viola da gamba, Shalev Ad-El, harpsichord, January 13, 1998 [PDF]
, 1998 This is the concert program of the Guest Artist Concert Early Music Series: Richard Boothby, viola da gamba, Shalev Ad-El, harpsichord performance on Tuesday, January 13, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Antonio de Cabezón y el comienzo de la música didáctica para tecla con valor artístico
Anuario Musical, 2011 Con las Obras de música para tecla, arpa y vihuela de Antonio y Hernando de Cabezón tenemos en las manos uno de los ejemplos más antiguos de método para instrumentos, que reúne la lógica didáctica con el alto nivel artístico.
Stephan Schmitt
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Cortical activity during naturalistic music listening reflects short-range predictions based on long-term experience. [PDF]
Elife, 2022 Kern P +3 more
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Michael Reynolds, cello, April 20, 1988 [PDF]
, 1988 This is the concert program of the Michael Reynolds, cello performance on Wednesday, April 20, 1988 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Suite No. 1 in G major, Suite No.
School of Music, Boston University
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Index of Authors and Co‐Authors
United European Gastroenterology Journal, Volume 13, Issue S8, Page 1559-1604, October 2025.
wiley +1 more source
Inmanencia y metafísica en El arte de la fuga de J. S. Bach
El Oído PensanteEl Arte de la Fuga contiene elementos particulares definidos, que posibilitan establecer la hipótesis según la cual dentro de la obra de Johann Sebastian Bach, se encuentra un fondo metafísico original.
Juan Ignacio Arias Krause
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Boston University Concert Choir and Chamber Orchestra, March 26, 1988 [PDF]
, 1988 This is the concert program of the Boston University Concert Choir and Chamber Orchestra performance on Saturday, March 26, 1988 at 8:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Cantata No.
School of Music, Boston University
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Johann Sebastian Bach’s Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto [PDF]
Limina: A Journal of Historical and Cultural Studies, 2015 Along with numerous other music theorists of the eighteenth century, Johann Joachim Quantz compares an expressive musical performance to the delivery of a persuasive speech by a distinguished orator.
Georg Corall
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Come, Sweet Death: Why Endothelial Cells Die in Fructose. [PDF]
Am J Respir Cell Mol Biol, 2023 Kuebler WM.
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