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Circulation research, 2020
The minuet is the Baroque dance “par excellence,” first danced in Louis XIV’s court. One of its intrinsic characteristics is the deliberate contradiction between the movements and the music. Phrase lengths can also vary, thus creating even more intricate ambiguities between music and steps. Choreographic descriptions are given. As to tempo, the sources
Walter S. Reiter
semanticscholar +12 more sources
The minuet is the Baroque dance “par excellence,” first danced in Louis XIV’s court. One of its intrinsic characteristics is the deliberate contradiction between the movements and the music. Phrase lengths can also vary, thus creating even more intricate ambiguities between music and steps. Choreographic descriptions are given. As to tempo, the sources
Walter S. Reiter
semanticscholar +12 more sources
Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky
Sibirskiy filologicheskiy zhurnal, 2022The paper is devoted to studying the images of 18th-century German composers Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky, including diaries, articles, poems, and prose.
G. Mamatov
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Johann Sebastian Bach/Karlheinz Essl
Tempo, 2022ask? I disregard the label underneath the artwork in museums as often as the next person, but with this album I want to force someone to know a fact before this art experience, because we have long known the artwork is not solitary, independent ...
Evan Johnson
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Johann Sebastian Bach im Urteil Moritz Hauptmanns
Die Musikforschung, 2021Befaßt man sich mit der Ästhetik des Klassizismus, kommt man an der Gestalt des Thomaskantors Moritz Hauptmann nicht vorbei. Was den Blickwinkel der Quellenfunde betrifft, zehrt die Forschung noch immer von den umfangreichen Auswahlausgaben der Briefe ...
H. Schulze +3 more
semanticscholar +1 more source
“Died Gently and Blessed in God”— Johann Sebastian Bach’s End
Научный вестник Московской консерватории, 2021Возможно, памятуя о бесчисленных неудачах в процессе выбора преемника кантору школы Св. Фомы Иоганну Кунау, умершему в 1722 году, и о почти годичном междуцарствии, которое последовало за этим, городской совет Лейпцига в июне 1749 года предпринял ...
А. Глёкнер
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2001
Abstract This is one of the greatest as well as the most elaborate of Bach’s solo cantatas. It lends itself especially well to performance in a room which possesses a fine organ, and yet is not too large for chamber music and for Bach’s rich ornamentation, which even in his most massive works so urgently demands many of the conditions of
Michael Tilmouth +2 more
openaire +2 more sources
Abstract This is one of the greatest as well as the most elaborate of Bach’s solo cantatas. It lends itself especially well to performance in a room which possesses a fine organ, and yet is not too large for chamber music and for Bach’s rich ornamentation, which even in his most massive works so urgently demands many of the conditions of
Michael Tilmouth +2 more
openaire +2 more sources