Results 61 to 70 of about 267,431 (300)
Performance Practice in the Indeterminate Works of John Cage [PDF]
, 1994 The recordings of Cage\u27s indeterminate works such as Variations I, Fontana mix, Cartridge music, Variations II, and Variations III reveal certain traditions in their performance, in both form and ...
Lochhead, Judith Irene
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Boosting Sensory Nerve‐to‐Bone Interactions Enhances Hedgehog Mediated Calvarial Bone Repair
Advanced Science, EarlyView.Boosting sensory nerve activity via TrkA agonism strongly accelerates calvarial bone repair in adult mice. Furthermore, single‐cell RNA sequencing and neuron–bone interactome analyses identify these sensory neurons as a direct neural source of Hedgehog pathway ligands. Consequently, these ligands drive osteoblast differentiation of skeletal progenitors,
Zhao Li +9 more
wiley +1 more source
Concordance Percussion Ensemble, April 6, 1998 [PDF]
, 1998 This is the concert program of the Concordance Percussion Ensemble performance on Monday, April 6, 1998 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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Advanced Energy Materials, EarlyView.Multiscale perspectives on how excess charges in soft lead halide perovskites induce operational instability in photovoltaic devices are presented. Localized carriers formed under thermodynamic non‐equilibrium states modify atomistic interactions and drive lattice distortions, accelerating device degradation.
Joo‐Hong Lee +6 more
wiley +1 more source
Silêncio e pantonalidade enquanto materialidade estética em John Cage
Études romanes de Brno, 2016 convocatória ao teórico musical John Cage (1912–1992) justifica-se, em primeiro plano, pelo seu trabalho de reformulação sobre a composição musical ordinária.
Caio Di Palma de Souza Medeiros
doaj +1 more source
'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010 [PDF]
To accompany the Hayward Touring Exhibition of John Cage's visual art in Huddersfield, 2010, Philip Thomas curated a series of concerts featuring Cage's music. These included: Friday 19 November - Alvin Curran and edges ensemble (dir.
Thomas, Philip
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The Soloists of ALEA III, April 24, 1983 [PDF]
, 1983 This is the concert program of The Soloists of ALEA III performance on Sunday, April 24, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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ALEA III: The Exotics, November 9, 1989 [PDF]
, 1989 This is the concert program of ALEA III: The Exotics performance on Thursday, November 9, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Music for an imaginary ballet by Henry Brant,
School of Music, Boston University
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Les Europeras de John Cage : de l’opéra au cirque
Sillages Critiques, 2015 This article addresses John Cage’s ambiguous relationship with theatre throughout his career. Influenced early by Artaud and Stein, he often referred to theatre and understood his own art project as a reflection on theatricality and performance.
Antonia Rigaud
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Concordance Percussion Ensemble, November 17, 1997 [PDF]
, 1997 This is the concert program of the Concordance Percussion Ensemble performance on Monday, November 17, 1997 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Ku Ka Illimoku by Christopher Rouse, La Negra (arr.
School of Music, Boston University
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