Results 31 to 40 of about 9,871 (159)

Elements for a history of sources and stemmas in the work of José Maurício Nunes Garcia

open access: yesPer Musi, 2019
Starting from a rereading of the thematic Catalog produced by Cleofe Person de Mattos (1970), this work reflects on informational elements extracted from other catalogs and also from handwritten musical sources that transmit the work of José Maurício ...
André Guerra Cotta
doaj   +1 more source

O conceito de Schemata musical e seu emprego na construção da Abertura em Ré do padre José Maurício Nunes Garcia

open access: yesOpus, 2018
No presente trabalho analiso a utilização das Schemata (conceito de Robert Gjerdingen) na Abertura em Ré do padre José Maurício Nunes Garcia. A partir da análise, percebe-se a forma como o compositor manipulou, reordenou e fundiu essas Schemata ...
Ernesto Hartmann
doaj   +1 more source

The Fr. José Maurício Nunes Garcia's Modinhas: sources, edition and practice

open access: yesPer Musi, 2019
The Fr. José Maurício Nunes Garcia (1767-1830) is one of the most important Brazilian composers in the first half of the 19th century. This article presents the modinhas composed by him, indicating the location of the oldest scores and offering his ...
Alberto José Vieira Pacheco
doaj   +1 more source

Thank you to Reviewers 2020

open access: yes, 2021
Cancer Medicine, Volume 10, Issue 2, Page 783-794, January 2021.
wiley   +1 more source

The rhetoric in four composers of Brazilian colonial music: Manuel Dias de Oliveira, José Joaquim Emerico Lobo de Mesquita, André da Silva Gomes and José Maurício Nunes Garcia

open access: yesPer Musi, 2019
The aim in this article was to expose the rhetoric as a tool for the study and analysis of Brazilian colonial music. To achieve the previously specified goal, we give a brief contextualization on the use of rhetoric elements in the discourse of European ...
Eliel Almeida Soares
doaj   +1 more source

The spectable of pompousity in funerals: The 1816 Requiem of José Maurício Nunes Garcia

open access: yesPer Musi, 2019
George Balandier in his work "Le pouvoir sur scènes" (1980) states that forms of power are represented by the spectacularization of rituals, becoming a "theatocracy" or performance of a set of behaviors that produces an idealized image of themselves, for
Ana Guiomar Rêgo Souza
doaj   +1 more source

Lino josé nunes (1789-1847): an afro-brazilian would be the most chromatic composer of the americas up to mid-19th century? [PDF]

open access: yes, 2017
Recent data on the birth, life and death of Brazilian composer, theorist and performer Lino José Nunes (1789-1847) and his musical legacy known to date suggest that he is the author of the most exacerbated chromaticism in the Americas until at least the ...
Fausto Borém
core  

The Thematic Catalogue of the works of José Maurício Nunes Garcia: the need for its revision and updating

open access: yesPer Musi, 2019
The Thematic Catalogue of the works by José Maurício Nunes Garcia, published in 1970, by Cleofe Person de Mattos, is a milestone in Brazilian musicology. Firstly, for bringing to the foreground the huge output of the carioca black composer. Secondly, for
Carlos Alberto Figueiredo
doaj   +1 more source

O negro e a eugenia no Brasil:

open access: yesRevista Espaço Acadêmico, 2022
o embranquecimento de figuras públicas notadamente negras no Brasil teve no escritor Machado de Assis seu maior exemplo. O processo histórico embranquecedor, no entanto, atingiu grande parte, senão a totalidade dos negros que ascenderam culturalmente ou ...
Pedro Vaccari
doaj  

... And will lie in flowered garden: preliminary study on topical uses in the representation of mariology in the music of José Maurício Nunes Garcia

open access: yesPer Musi, 2019
José Maurício Nunes Garcia's music is a sophisticated manifestation of galant aesthetics in colonial Brazil, especially as it relates to understanding musical composition as a specific form of oratory.
Diósnio Machado Neto
doaj   +1 more source

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