Don't Break My Locust Trees: Conceptions of History and Politics in Đorđe Balašević's Songs
Pannoniana, 2017 Songwriter Đorđe Balašević from Novi Sad is one of the notable singers and poets of the Southeast Europe. Balašević is well known for his characteristic metaphors, comparisons and personifications as well as his social activism. In this context his songs
Vinko Tadić, Goran Đurđević
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American tourists' perceptions of tourist guides in Belgrade [PDF]
, 2011 Although it is not one of the popular city tourism destinations of Europe, the Serbian capital, Belgrade, is visited by a substantial number of foreign tourists.
Rabotic, Branislav
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Josip Broz Tito's Summit Diplomacy in the International Relations of Socialist Yugoslavia 1944–1961: [PDF]
, 2014 The article scrutinizes the dynamics of Yugoslav summit diplomacy from the end of the Second World War until the First Conference of Heads of Governments of the NonAligned Countries (1961), in order to outline the evolution of a paramount role that Josip
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Why alternative memory and place-making practices in divided cities matter. [PDF]
Space Polity, 2019 Palmberger M.
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La didattica del croato e del serbo nella Sezione di Studi di Lingue Moderne per Interpreti e Traduttori dell’Università di Trieste [PDF]
, 2014 La lingua una volta chiamata serbo-croato, ovvero croato-serbo, oggi ha ben quattro denominazioni, ognuna di esse con determinate peculiarità socio-linguistiche.
Piasevoli, Vesna, Vranješ, Maja
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'It was better when it was worse': blue-collar narratives of the recent past in Belgrade. [PDF]
Soc Hist, 2018 Archer R.
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Self-management socialism compared to social market economy in transition: Are there convergent paths? [PDF]
Despite considerable and miscellaneous research in transition economics, some of its aspects have yet to evolve and come up with a more standard theory.
Mulaj, Isa
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From Adamovec to Dubrovnik: an extended adventure, 1971-1992. [PDF]
Croat Med J, 2009 Calisher CH.
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Body-name – The Brotherhood Chronotope and Social Choreography
Kultura (Skopje), 2014 In this research paper I argue that cultural memory is to a considerable extent produced, sustained and reinforced through the performative strategies of staging media events and ritualized collective body-space and body-time relations.
Mirjana Stošić
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