The relationship between entertainment producers and higher education providers [PDF]
, 2012 Cameron, Verhoeven and Court have noted that many screen producers do not see their tertiary education as being beneficial to their careers. We hypothesise that Universities have traditionally not trained students in producing skills because of the ...
McKee, Alan, Silver, Jon
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I’m Buffy and You’re History: Buffy the Vampire Slayer and Contemporary Feminism by Patricia Pender (I.B. Tauris, 2016) [PDF]
Monstrum, 2018 Book ...
Kristopher Woofter
doaj
Fighting a War You\u27ve Already Lost: Zombies and Zombis in \u3cem\u3eFirefly/Serenity\u3c/em\u3e and \u3cem\u3eDollhouse\u3c/em\u3e [PDF]
, 2011 This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10).
Canavan, Gerry
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The ontology and literary status of the screenplay: the case of "Scriptfic" [PDF]
, 2013 Are screenplays - or at least some screenplays - works of literature? Until relatively recently, very few theorists had addressed this question. Thanks to recent work by scholars such as Ian W.
Nannicelli, Ted
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The boom of the superhero genre and the new global film industry [PDF]
, 2018 Proveniente del mundo del cómic, la figura del superhéroe debutó con éxito en el cine a finales de la década de los 70. Sin embargo, ha sido durante los últimos quince años cuando esta figura ha cobrado un extraordinario protagonismo y, en sus múltiples ...
García-Escrivá, Vicente
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Mal-Adjusted: Integration of Selves in Joss Whedon\u27s \u3ci\u3eFirefly\u3c/i\u3e [PDF]
, 2009 Joss Whedon’s Firefly and Serenity offer a brand new take on the well established science fiction film genre, one that many authors and viewers believe needed Whedon’s fresh new ideas to prevent further stagnating of the genre.
Buscemi, Rose
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Judges as Bad Reviewers: Fair Use and Epistemological Humility [PDF]
, 2013 The future of fair use depends on whether judges act like bad reviewers, or whether they behave differently in interpreting challenged works than they do in almost every other aspect of judging.
Tushnet, Rebecca
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Joss Whedon: Finding Religious Themes in a Science Fiction Universe [PDF]
, 2009 Joss Whedon, the creator of Buffy the Vampire Slayer and other science fiction television shows, is a devout atheist but still manages to weave religious themes throughout his work, including redemption, free will, and Christ figures.
Baker, Amanda M
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"How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer [PDF]
, 2017 The representations of violent women in Joss Whedon's 'Buffy the Vampire Slayer' (1997-2003) and the development of this trope compare intriguingly with Charlotte Dacre's early nineteenth-century protagonist in 'Zofloya; or, The Moor' (1806).
Kramer, Kaley
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Joss Whedon,Dr. Horrible, and the Future of Web Media [PDF]
Popular Communication, 2013 In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible's Sing-Along Blog.
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