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Juan del Encina’s Nativity Eclogues: A New English Translation
ROMARD, 2021Juan del Encina has long been recognized as a crucial figure in Iberian drama, yet few of his works have been translated into English. Encina wrote plays, poetry, and music in the late fifteenth and early sixteenth centuries, and scholars have traditionally regarded Encina’s writing as a turning point in early Spanish drama, both because of the secular
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Myth, Desire, and the Play of Inversion: The Fourteenth Eclogue of Juan del Encina
Hispanic Review, 1997nO ticed an explicit similarity between its structure . and that of Ovid's tale of Pyramus and Thisbe (Met. 4.55-166).1 Observing that "both in Encina's % play and in the story of Ovid's Metamorphoses (Book Iv), a lover resolves to commit suicide upon finding, next to a spring or stream, the body of his/her beloved, who has just performed self-murder" (
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Juan del Encina and Lucas Fernández: Conflicting Attitudes towards the Passion
Bulletin of the Comediantes, 1984The spectrum of attitudes towards the Passion in the fifteenth and early sixteenth centuries ranges between two poles: the emphasis on the suffering humanity of Christ (e.g., Diego de San Pedro's Pasión trobada ) and the emphasis on the joy of redemption (e.g., the alumbrados ). These two attitudes had social as well as religious resonances.
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Juan del Encina, Teatro y Poesia
Hispanic Review, 1988Ana M. Rambaldo +2 more
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A Note on the Biography of Juan Del Encina*
Bulletin of the Comediantes, 1982openaire +1 more source