A finales de los sesenta del siglo pasado, cuando Julia Kristeva traducía la obra de Bajtín al francés, acuñó el término “intertextualidad”, que tan de moda se pondría poco después.
Andrés Cadena
doaj
Anti-doping sciences, abjection and women's sport as a protected category. [PDF]
Schneider AJ, Oldham AC, Butcher LHG.
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Transgressive bodies in the work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: towards a theory of the 'autobioBD' [PDF]
As the comic book, and more precisely its exceptionally francophone doppelganger, la bande dessinée, begins to fulfil its potential as 'the Ninth Art', the range of styles, reading contexts, and genres which constitute the form as a signifying practice ...
Miller, A, Pratt, M
core
How care holds humanity: the myth of Cura and theories of care. [PDF]
Hanisch H.
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'A hatred so intense…' 'We need to talk about Kevin', postfeminism and women’s cinema [PDF]
No description ...
Thornham, Sue
core
'Cucumber sandwiches that repeated': Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont. [PDF]
Singh A.
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Melancholic celie in The Color Purple [PDF]
In her theory of the melancholic subject, Julia Kristeva asserts that the melancholic subject has a sense of loss, but she cannot share this feeling with others as she considers it as private.
Sedehi, Kamelia Talebian, Talif, Rosli
core
The poetics of vulnerability: creative writing among young adults in treatment for psychosis in light of Ricoeur's and Kristeva's philosophy of language and subjectivity. [PDF]
Synnes O, Romm KL, Bondevik H.
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Identity construction in medical student stories about experiences of disgust in early nursing home placements: a dialogical narrative analysis. [PDF]
Warmington S, Johansen ML, Wilson H.
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