Remapping the European Cultural Memory: The Case of Julia Kristeva’s \u3cem\u3eMurder in Byzantium\u3c/em\u3e [PDF]
This article considers Julia Kristeva’s novel Murder in Byzantium in the context of some of the most pressing ehtical and political dilemmas faced by Europe today, regarding the role of religion and the inclusion of religious references in the ...
Rus, Bianca Laura
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Cet article explore, à partir de romans et d’essais (en particulier ceux de Ferenc Karinthy, Nancy Huston, Julia Kristeva, Claude Esteban), certaines créations imaginaires suscitées par la relation du sujet avec sa ou ses langues.
Klein-Lataud, Christine
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Keeping it Intimate: A Meditation on the Power of Horror
The paper is a reading of Julia Kristeva, The Severed Head. It first interprets a dual historical element in Kristeva's text on "capital visions," her selection of exemplars of the artistic representation of severed heads. On the one hand, there are the
Sara Beardsworth
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Analyzing the Concept of “Abjection” in David Cronenberg’s Cinema With an Emphasis on Female Characters Based on the Theory of Julia Kristeva [PDF]
In contemporary thought, abjection is understood as a mechanism for preserving the integrity of subjectivity. Julia Kristeva first introduced this concept in Powers of Horror.
Ali Rouhani, atefe sarlak
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The search for redemption: Julia Kristeva and Slavoj Žižek on Marx, psychoanalysis and religion [PDF]
Slavoj Žižek and Julia Kristeva have followed strikingly similar paths in their intellectual and political development, moving from Marxism through psychoanalysis to Christianity.
Boer Roland
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Humanimals: A Socio‐Ecological Reading of the Marseille Plague of 1720
Abstract The aim of this article is to return to a small number of historically significant first‐person testimonies of the Marseille epidemic of 1720 in order to analyse in detail their construction and depiction of human exceptionality as a form of life in a time of plague.
David McCallam
wiley +1 more source
Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad [PDF]
The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist
Lisowska, Katarzyna
core
Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões [PDF]
This article focuses on the way in which renowned São Paulo-based theatre company Teat(r)o Oficina Uzyna Uzona deconstructs hegemonic historical narrative in their 2000 - 2007 25 hour-long production of Euclides da Cunha’s seminal Brazilian novel Os ...
Albuquerque Jr Durval Muniz de +8 more
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Grumpy brand: Reading literary prize fiction
Abstract Literature and literary texts tell their own story about how value is produced, awarded, and institutionalized. This article examines the classic narrative of becoming an award‐winning author, when the focus shifts from the sociology of cultural prizes to poetic strategies that playfully expose the exhaustive list of market‐driven ...
Irina Hron
wiley +1 more source
Mulholland Drive: An Intertextual Reading
This article examines David Lynch’s Mulholland Drive from Kristeva’s concept of intertextuality. To achieve this aim, this study provides a close reading of the selected film so as to trace and illustrate the polyphonic network of references, citations ...
Ebrahim Barzegar
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