Results 1 to 10 of about 44 (41)
Koncepcje teatru społecznie zaangażowanego według Juliusza Osterwy
The author distinguishes three phases in Osterwa’s artistic development: the production of Uciekła mi przepióreczka (My Little Quail Has Run Away) by Stefan Żeromski where the individuality of the creator and his creative idea coupled with the idea ...
Wanda Świątkowska
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Święty Jan od Krzyża, Wojtyła i Grotowski: Ku sztuce numinotycznej
This article posits that in Karol Wojtyła’s and Jerzy Grotowski’s thinking about art, it is possible to identify commonalities by which their aesthetic and ethical concepts can be associated with the work of John of the Cross.
Marlena Krupa
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Wincenty Lutosławski i Juliusz Osterwa: Dzieje kontaktów
Based on epistolary material and diaries, the article attempts a reconstruction of the history of Juliusz Osterwa’s (1885–1947) friendship with the famous philosopher Wincenty Lutosławski (1863–1954).
Dorota Jarząbek-Wasyl
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Wincenty Lutosławski and his interest in the United States of America in the light of the correspondence addressed to the Kosciuszko Foundation (in Polish) [PDF]
Author found and gave to print unknown letters of Vilnius philosopher and scholar, Wincenty Lutosławski to Stefan Mierzwa, executive director of the Kosciuszko Foundation – the source kept in the Archives of the Kosciuszko Foundation in New York City ...
Tomasz PUDŁOCKI
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Genezja – modlitwa i pełnosłowie
During the Second World War, which he saw as a time of cleansing and penance, Juliusz Osterwa planned to establish two acting fraternities: Genezja (Genesia) and Dal (Distance).
Tadeusz Kornaś
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Zespół teatralny jako mit: Wokół książki «Czy tylko Reduta?»
The electronic publication Czy tylko Reduta? Wspólnota – zespół – spółdzielnia twórcza – kolektyw [Only Reduta? Community – Ensemble – Creative Cooperative – Collective] brings together selected papers from a conference organised as part of the 4th ...
Paweł Płoski
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The article presents the history and principles of theatre education at Reduta in its successive forms: from Koło Adeptów [The Apprentice Circle], established in 1921, through the Reduta Institute, to Okop [The Trench], which was the last pre-war ...
Wanda Świątkowska
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Kudliński i Osterwa. Sprawa „Hamleta”
This paper is dedicated to the theatrical novel by Tadeusz Kudliński 'Świętokradca' (1947), in which a fictional dialogue between the author of the novel and the performance concept of Shakespeare’s 'Hamlet' by Juliusz Osterwa is being held.
Anna Sobiecka
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The article concerns the years 1919 and 1920, the time of Poland’s newly regained independence and the Polish-Bolshevik war. Due to censorship, this period used to be mentioned only briefly in literature on Juliusz Osterwa and the Reduta theatre even ...
Jagoda Hernik Spalińska
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In Service of the Living Word: Some Thoughts on «Reducie na stulecie: studia i rozpoznania»
Conceived as a symbolic gift to honor Teatr Reduta on the 100th anniversary of its inception and dedicated to the memory of recently passed theatre historian, Zbigniew Osinski, this extensive volume does more than commemorate and celebrate.
Kris Salata
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