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Juri Lotman’s Typologies of Culture
One central concept in Juri Lotman’s semiotics of culture are cultural typologies, the objective of which is to describe the basic types of cultural codes, define the universals of human culture, and to create “a grammar of culture”, i. e. a unified system of the general structure of the universal characteristics of the “culture of humankind”.
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Transmediality and cultural semiotics [PDF]
In May 2015 I was invited at the University of Tartu by professor Peeter Torop and the Department of Semiotics. I was asked to discuss the thesis by Maarja Ojamaa with the title “The transmedial aspect of cultural autocommunication” for the Degree of ...
DUSI, Nicola Maria
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Paremäärmuslik sõnavabadus eesti rahvusradikaalide veebisuhtluses [PDF]
The article focuses on the processes of identification in hypermedia, trying to explicate the strategies of self-description that prevail on the websites of the activists of the Estonian extreme rights.
Andreas Ventsel, Mari-Liis Madisson
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Lotman, Juri. Merkkien maailma: kirjoitelmia semiotiikasta
Pertti Ahonen
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Barthes and Lotman: Ideology vs culture [PDF]
Despite both being great names in semiotics, Roland Barthes and Juri Lotman have more differences than they share similarities – not only because of their different political and historico-cultural environments, but also because they do not have ...
Sériot , Patrick
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Semiosphere: crease between world and language [PDF]
El hombre no puede estructurar la realidad haciendo abstracción de la lengua y de la cultura. Estas mantienen a la realidad en un movimiento continuo.
López Cedeño, Francisco
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Vyacheslav V. Ivanov (1929–2017) and his Studies in Prosody and Poetics [PDF]
Vyacheslav V. Ivanov was an outstanding scholar who excelled in almost all disciplines related to linguistic and literary studies.
Pilshchikov, Igor, Vroon, Ronald
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La mitologizzazione del testo letterario : le Stanze del Poliziano [PDF]
Nelle Stanze del Poliziano, l'elemento mitologico è stato spesso considerato un vacuo accessorio della trama, un raffinato e stucchevole esercizio retorico fine a se stesso.
Manzi, Attilio
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The title of this article refers to Gilles Deleuze’s work titled The Fold: Leibnitz and the Baroque and supposes a link, which could be established between the Baroque as a type of art, imagery, and a philosophical concept, as it was described by ...
Inga Vidugirytė
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Agrootics. A semiotic cubic model description for meaning interpretation [PDF]
Semiotics has meaning models that constitute forms of observation of reality’s phenomenology. At current perspective of human reasoning, those models are insufficient reality interpreters before society and to the technology that accompanies it. In terms
Rocha, Pedro M. Azevedo
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