Composition as Commentary: Voice and Poetry in Electroacoustic Music [PDF]
, 2020 What is the role of a spoken or sung text in an electroacoustic composition? Does it represent anachronism, assigning the role of communication to the voice and thereby depriving more abstract electroacoustic material of its rhetorical force?
Hunt, Edmund
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Säveltäjyyden sukupuolittuneisuus Magnus Lindbergiä ja Kaija Saariahoa käsittelevissä mediateksteissä [PDF]
, 2021 Tutkimuksen tarkoituksena on tutkia mediatekstien luomaa säveltäjäkuvaa nykysäveltäjistä Kaija Saariahosta ja Magnus Lindbergistä. Länsimainen klassinen musiikki on pitkään ollut hyvin sukupuolittunutta.
Väyrynen, Tiia
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Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86) [PDF]
Intersections, 2012 The article studies miniatures in Kaija Saariaho's Lichtbogen for nine musicians and live electronics (1985-86). The research material consists of records, the score and composer's interviews and articles. Methodologically, the article is based on Gaston Bachelard 's phenomenology (The Poetics of Space) and Denis Smalley's "Spectromorphology ...
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Kenosis : Simone Weil i Kaija Saariaho
, 2022 The core of the dissertation is an analysis and interpretation of the figure of kenosis in the oratorio titled La Passion de Simone by Kaija Saariaho. The piece is entirely dedicated to French woman philosopher Simone Weil, who was born in 1909 and died during the Second World War in England.
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A Contemporary Ballade : Kaija Saariaho's Ballade for Solo Piano as a Narrative of Guilt and Trauma [PDF]
, 2018 Kaija Saariahon (s. 1952) musiikkia on tutkittu paljon, mutta hänen pianoteoksensa ovat jääneet vähemmälle huomiolle. Tässä työssä analysoidaan Kaija Saariahon (s. 1952) pianosävellystä Ballade (2005). Balladen karaktääri on dramaattinen, ja se pohjautuu
Mustonen, Minna
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Sonograma Magazine, 2008 Kaija Saariaho, compositora finesa d’una fascinant trajectòria musical es destaca per la seva intensa aproximació als límits entre la música i el soroll. Ha aprofundit en aspectes molt innovadors en el camp de la composició: la derivació de la melodia i l’exploració tímbrica instrumental.
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Medievalism in contemporary opera [PDF]
This thesis discusses four operas, all written after 1990, that are based on medieval texts: Caritas (1991, by Robert Saxton and Arnold Wesker), The Tale of Januarie (2017, by Julian Philips and Stephen Plaice), L’Amour de loin (2000, by Kaija Saariaho ...
Haggett, George K1
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Resounding : Feeling, Mytho-ecological Framing, and the Sámi Conception of Nature in Outi Tarkiainen’s The Earth, Spring’s Daughter [PDF]
, 2019 The song-cycle The Earth, Spring’s Daughter by the Finnish composer Outi Tarkiainen (born in 1985) is based on poems in the Northern Sámi language by Nils-Aslak Valkeapää and Rauni Magga Lukkari, among others.
Torvinen, Juha
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Resounding: Feeling, Mytho-ecological Framing, and the Sámi Conception of Nature in Outi Tarkiainen's The Earth, Spring's Daughter [PDF]
, 2019 The song-cycle The Earth, Spring’s Daughter by the Finnish composer Outi Tarkiainen (born in 1985) is based on poems in the Northern Sámi language by Nils-Aslak Valkeapää and Rauni Magga Lukkari, among others.
Torvinen, Juha
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Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989 [PDF]
, 2017 Danuser +5 more
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