Results 71 to 80 of about 1,102 (110)
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The Flute Music of Kaija Saariaho
Музыковедение, 2022В статье рассматривается творчество известного финского композитора Кайи Саариахо. Объектом исследования являются наиболее яркие, прочно закрепившиеся в репертуаре исполнителей флейтовые сочинения, созданные с начала 1980-х годов до настоящего времени; среди них «Laconisme de l'aile», «NoaNoa», «L'aile du Songe», посвященные флейтистке Камилле Хоитенга
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12 Émilie du Châtelet, Kaija Saariaho, and Heroes of the Twenty-First Century
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"Verblendungen" by Kaija Saariaho: from idea to implementation
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, 2023This article is dedicated to the work of the famous Finnish composer Kaia Saariaho. The subject of analysis is her composition «Verblendungen» synthesizing the most important characteristic aspects of the author's music. «Verblendungen» is a mixed electro-acoustic work created by the composer in the early 80s in the Paris studio IRCAM.
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2012
This thesis provides an overview of the life and work of composer Kaija Saariaho, focusing on her Œuvre in the field of music-theatre and providing an in-depth-analysis of the oratorium La Passion de Simone (2006). Saariaho's work up until the 2006 is taking into account for this thesis.
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This thesis provides an overview of the life and work of composer Kaija Saariaho, focusing on her Œuvre in the field of music-theatre and providing an in-depth-analysis of the oratorium La Passion de Simone (2006). Saariaho's work up until the 2006 is taking into account for this thesis.
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2018
Finnish composer Kaija Saariaho initially studied in Helsinki before moving on to Freiberg where she studied with Brian Ferneyhough and Klaus Huber among others. In 1982 she moved to Paris and began to work regularly at the musical research centre IRCAM.
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Finnish composer Kaija Saariaho initially studied in Helsinki before moving on to Freiberg where she studied with Brian Ferneyhough and Klaus Huber among others. In 1982 she moved to Paris and began to work regularly at the musical research centre IRCAM.
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Electronic Means in Composing practice Kaija Saariaho in the1980s
Музыковедение, 2022Музыковедение, Выпуск 6 ...
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«Petals» for Cello by Kaija Saariaho: Features of the Composition
Музыковедение, 2022Музыковедение, Выпуск 10 ...
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Desire and distance in Kaija Saariaho's Lonh
Organised Sound, 2003This article explores the relationship of desire and distance in Kaija Saariaho's Lonh (1996) for soprano and electronics. The subject matter of Lonh is desire and romantic pleasures, anchored to feminine subjectivity, represented on stage by a soprano singer. Electronics provide the environmental sounds and amplify the singer's voice.
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Kaija Saariaho, Papillons for solo cello, No. 3 (2000)
2022This short piece can be thought of as the animation of a harmony built on D that consists mostly of the notes of a hexatonic scale. The notes tend to occur in a particular order, following a seven-note series. Recurring segments of the series act is motives in the piece, including descending semitones, those traditional musical emblems of grief.
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London, Proms 2012 (2): Olga Neuwirth, Kaija Saariaho
Tempo, 2013Postmodernism in music may be hard to define – even harder than the same notoriously slippery term in literature – but Olga Neuwirth's viola concerto Remnants of songs … an Amphigory (2009) may be as good an exemplar as any. Given its UK première on 13 August by the talented British violist Lawrence Power, with the Philharmonia Orchestra under Susanna ...
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