Results 111 to 120 of about 972 (144)

Nikos Kazantzakis's Novels on Film

Journal of Modern Greek Studies, 2000
The three films made from Kazantzakis's novels distort their sources. Celui qui doit mourir (1956) distorts Kazantzakis's vision because the film, unlike the book, ends with the displaced villagers barricaded behind a rock shooting at their oppressors, which negates everything the book tries to say.
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Kazantzakis's the Last Temptation of Christ

The Explicator, 1989
(1989). Kazantzakis's the Last Temptation of Christ. The Explicator: Vol. 47, No. 3, pp. 39-39.
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Woman as Symbol in Kazantzakis's Writings

Journal of Modern Greek Studies, 2010
Nikos Kazantzakis's ambivalent and often negative representation of women can best be explained if seen as part of his aesthetics, especially the "new art" he discovered in image and cinema that, through logos, enables the art of symbolization. Woman's multiform and controversial nature lends itself to symbolization since it provides vital analogies ...
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Kazantzakis: Politics of the Spirit

Comparative Literature, 1993
Peter Mackridge, Peter Bien
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Nikos Kazantzakis

International Journal of Foreign Studies, 2011
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Kazantzakis in Iraklion

Critical Quarterly, 2004
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Libre comme Kazantzaki

L'Histoire, 2022
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Kazantzakis' dipolar theism

Sophia, 1985
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The Case for a Contemporary Kazantzakis

Journal of Modern Greek Studies, 2012
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Kazantzakis: Politics of the Spirit

World Literature Today, 1990
M. Byron Raizis, Peter Bien
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