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Byzantine and Modern Greek Studies, 1977
I fight to embrace the entire circle of human activity to the full extent of my ability, to divine which wind is urging all these waves of mankind upward. I bend over the age in which I live, that tiny, imperceptible arc of the vast circle, and struggle to attain a clear view of today’s duty.
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I fight to embrace the entire circle of human activity to the full extent of my ability, to divine which wind is urging all these waves of mankind upward. I bend over the age in which I live, that tiny, imperceptible arc of the vast circle, and struggle to attain a clear view of today’s duty.
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Byzantine and Modern Greek Studies, 2022
This article traces Kazantzakis’ attitudes towards America in works from the pre- and post-war periods. In doing so, it reveals his growing interest in visiting the country or even settling there for an extended period. The pretexts for such a journey were diverse and variously described by the writer as a means to ‘renew his vision’, to find a secure ...
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This article traces Kazantzakis’ attitudes towards America in works from the pre- and post-war periods. In doing so, it reveals his growing interest in visiting the country or even settling there for an extended period. The pretexts for such a journey were diverse and variously described by the writer as a means to ‘renew his vision’, to find a secure ...
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Byzantine and Modern Greek Studies, 1996
Although Kazantzakis had a profound religious vision that may even be compatible in some ways with Christianity, he makes certain Christians extraordinarily angry. The most recent incident involved Martin Scorsese’s 1988 film of The Last Temptation. Rev.
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Although Kazantzakis had a profound religious vision that may even be compatible in some ways with Christianity, he makes certain Christians extraordinarily angry. The most recent incident involved Martin Scorsese’s 1988 film of The Last Temptation. Rev.
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Kazantzakis's Metatheatrical Othello Returns
Journal of Modern Greek Studies, 1996Metatheater involves a complex relationship between the "real" and the fictive, and between actors and spectators. Kazantzakis's Pirandellian comedy Othello Returns is one type of metatheater. The plot is structured on multiple levels--receptive, metatextual, intertextual, dramatic, real, and archetypal.
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