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Keats’s sources, Keats’s allusions
2001At the root of “allusion” is the verb “to play” (from the Latin, “ludere”). A calling into play is not the same as referring to or mentioning, and it need not be covert or indirect. Like other poets, Keats sometimes puts his allusion in direct quotation: - Of bad lines a Centaine dose Is sure enough – and so “here follows prose.” “Dear Reynolds ...
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John Keats. Keats’s Poetry and Prose
2021International ...
Bertonèche, Caroline, Folliot, Laurent
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1990
Abstract Unlike Shelley, Keats was in no doubt what he wanted to do with his life.1 As one of his fellow students tells us, ‘Poetry was … the zenith of all his aspirations: the only thing worthy the attention of superior minds: so he thought: all other pursuits were mean and tame … The greatest men in the world were the poets and to rank
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Abstract Unlike Shelley, Keats was in no doubt what he wanted to do with his life.1 As one of his fellow students tells us, ‘Poetry was … the zenith of all his aspirations: the only thing worthy the attention of superior minds: so he thought: all other pursuits were mean and tame … The greatest men in the world were the poets and to rank
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JAMA: The Journal of the American Medical Association, 1980
M A, Shampo, R A, Kyle
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M A, Shampo, R A, Kyle
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2011
Sir Sidney Colvin (1845–1927) was the obvious choice to write a book on John Keats (1795–1821) for the first series of English Men of Letters. At various times Slade Professor of Fine Art at Cambridge, Director of the Fitzwilliam Museum, and Keeper of Prints and Drawings at the British Museum, Colvin had a long-standing interest in the poet, publishing
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Sir Sidney Colvin (1845–1927) was the obvious choice to write a book on John Keats (1795–1821) for the first series of English Men of Letters. At various times Slade Professor of Fine Art at Cambridge, Director of the Fitzwilliam Museum, and Keeper of Prints and Drawings at the British Museum, Colvin had a long-standing interest in the poet, publishing
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