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Abbas Kiarostami, uma poética da incerteza
Comunicação & Educação, 2023 Este artigo tematiza alguns aspectos da poesia do artista e intelectual iraniano Abbas Kiarostami. Além de ser poeta, representante de uma longa tradição poética persa, ele também foi cineasta e fotógrafo, havendo forte vínculo e diálogo entre sua ...
Arlindo Rebechi Junior
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Selçuk İletişim, 2021 Bu çalışmada, Abbas Kiarostami’nin yönetmenliğini yaptığı Yakın Çekim (1990) filminin, sinema ve gerçekçilik bağlamında analizi yapılmıştır. Analiz yapılırken nokta metaforundan yararlanılmıştır.
Murat Şahin
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Is Overlain Display a Right Choice for AR Navigation? A Qualitative Study of Head‐Mounted Augmented Reality Surgical Navigation on Accuracy for Large‐Scale Clinical Deployment [PDF]
CNS Neuroscience &Therapeutics, Volume 31, Issue 1, January 2025.ABSTRACT Background During the course of the past two decades, head‐mounted augmented reality surgical navigation (HMARSN) systems have been increasingly employed in a variety of surgical specialties as a result of both advancements in augmented reality–related technologies and surgeons' desires to overcome some drawbacks inherent to conventional ...
Jian Ye +4 more
wiley +2 more sources
Cygne Noir, 2013 Cet article propose d’explorer les indéterminations sémantiques à l’oeuvre dans Copie conforme (2010) d’Abbas Kiarostami, elles-mêmes au fondement des indéterminations narratives sur lesquelles le film construit son ambivalence interprétative.
Simon Levesque
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Abbas Kiarostami and Film-Philosophy, by Mathew Abbott.
Alphaville: Journal of Film and Screen Media, 2018 Mathew Abbott’s book, beautifully adorned with a now iconic still from The Wind Will Carry Us (Bād mā rā khāhad bord, 1999), explores the late Iranian filmmaker Abbas Kiarostami’s later films through the framework of film-as-philosophy.
Kelly M Houck
exaly +3 more sources
"Roads of Kiarostami". Laboratorio intermedial
Arte, Individuo y Sociedad, 2019 Roads of Kiarostami (Abbas Kiarostami, 2005), es un ensayo audiovisual en el que su autor combina la imagen de vídeo digital, la fotografía, la prosa, la poesía, la oralidad, la escritura y la música.
Fernando González-García
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To See or Not to See: A Wittgensteinian Look at Abbas Kiarostami's Close-up
Film-Philosophy, 2018 Ludwig Wittgenstein's notion of aspect-seeing, and Stanley Cavell's notion of aspect-blindness, allow us to situate Abbas Kiarostami's quasi-documentary Close-Up (1990) as a radical revision of the genre that fundamentally challenges our assumptions ...
Elizabeth Hope Finnegan
exaly +3 more sources
Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up' [PDF]
Zbornik Radova Akademije UmetnostiThis paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami.
Šabotić Sead
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Dos efeitos de real a uma política do ócio em Abbas Kiarostami
Intexto, 2020 Abbas Kiarostami aplica em seus filmes e escritos certa técnica de produção de real a partir da observação de pequenos detalhes em contínuo movimento. Este artigo investiga como o cineasta elabora o ócio enquanto dispositivo para instalar no espectador ...
Demétrio Rocha Pereira +2 more
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Copia certificada (Abbas Kiarostami)
Vivat Academia, 2010 Reseña.
Jesús Miguel Sáez-González
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