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Historical Journal of Film, Radio and Television, 2013
Hye Seung Chung Urbana/Chicago/Springfield, University of Illinois Press, 2012 176 pp., illus., bibliography and index, $22.00 (paper) In 2012, Korean film director Kim Ki-duk drew international at...
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Hye Seung Chung Urbana/Chicago/Springfield, University of Illinois Press, 2012 176 pp., illus., bibliography and index, $22.00 (paper) In 2012, Korean film director Kim Ki-duk drew international at...
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2017
This interview was originally published in a promotional booklet, edited by Lee Hae-jin, entitled Kim Ki-duk: From Crocodile to Address Unknown (Seoul: LJ Film, 2001). It is reprinted here with permission of LJ Film America. Although the interview only covers Kim Ki-duk’s first six feature films, many of the issues, themes, and ideas presented here ...
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This interview was originally published in a promotional booklet, edited by Lee Hae-jin, entitled Kim Ki-duk: From Crocodile to Address Unknown (Seoul: LJ Film, 2001). It is reprinted here with permission of LJ Film America. Although the interview only covers Kim Ki-duk’s first six feature films, many of the issues, themes, and ideas presented here ...
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Savagery and Serenity: Extreme Cinema and the Films of Kim Ki-duk
2015This chapter focuses on the reputation and reception of the Korean director Kim Ki-duk. Kim was a central figure in Tartan’s Asia Extreme brand, and the frustrated efforts of Tartan’s owner and general manager Hamish McAlpine to get Kim’s notorious The Isle (2000) released in the UK uncut, over the ruling of the BBFC, were themselves used to generate ...
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Kim Ki-duk's Cinema of Cruelty: Ethics and Spectatorship in the Global Economy
Positions, 2007exaly +2 more sources
Beyond “Extreme”: Rereading Kim Ki-duk’s Cinema ofRessentiment
Journal of Film and Video, 2010BEGINNING IN THE 1950S AND 60S, the films of Kurosawa Akira, Ozu Yasujiro, and Mizoguchi Kenji entered the Western canon of East Asian cinema under the various rubrics associated with auteurism and art cinema. Throughout the 1980s and 90s, Fifth-Generation Chinese filmmakers such as Zhang Yimou and Chen Kaige rose to international fame for their exotic,
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Kim Ki-duk, Tartan Films and the Consequence of Asia Extreme
2023Submission note: Thesis submitted in total fulfillment of the requirements for the degree of Master of Arts (by Research) to the School of Humanities and Social Sciences, La Trobe University, Victoria.
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The Ethics of Contemplation: Kim Ki-duk’s Arirang
2013An ethical turn in contemporary fi lm studies and theory has redirected attention from the rational and universal to the emotional and particular as grounds for assessing the ethical value of the fi lm medium. Through its affective and sensorial engagement with the spectator, fi lm can become a site to forge an ethical relationship between the self ...
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