Results 181 to 190 of about 168,299 (342)

Wittgenstein, normativity and the ‘space of reasons’

open access: yesPhilosophical Investigations, EarlyView.
Abstract Wittgenstein's naturalism illuminates our ordinary normative practices of giving and asking for reasons and also related ‘philosophical’ conceptions of knowledge inspired by, for example, Sellars's image of the ‘space of reasons’. Some propose that the relevant naturalism motivates scepticism about the ‘space of reasons’ insofar as it ...
Benedict Smith
wiley   +1 more source

Complete chloroplast genome of the marine eelgrass Zostera pacifica (Zosteraceae, Plantae) from Monterey, California. [PDF]

open access: yesMicrobiol Resour Announc
Abdulrahman S   +47 more
europepmc   +1 more source

Negotiating Faith in the Sixteenth Century: Edmund Horde's Personal Notebook in Trinity College Dublin 352

open access: yesRenaissance Studies, EarlyView.
Abstract This article will demonstrate the intersectional nature of manuscript and print, as well as the importance of the printing press to Recusant readers. The article will consider TCD 352 as a manuscript or notebook for whom the material and immaterial nature of the book changes as both the Counter‐Reformation movement intensifies and the ...
Niamh Pattwell
wiley   +1 more source

From Everyman to Hamlet: A Distant Reading

open access: yesRenaissance Studies, EarlyView.
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet

open access: yesRenaissance Studies, EarlyView.
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley   +1 more source

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