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Critique, 2020
In the hands of artists across the world, performance today acutely questions the brutality of economic and political systems that ravage lives, spaces and possibilities. Africas, in this context, play a key role,” we could read on the introductory label of the “City performance” section, in the recent exhibition Kinshasa Chroniques; “Kinshasa and the ...
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In the hands of artists across the world, performance today acutely questions the brutality of economic and political systems that ravage lives, spaces and possibilities. Africas, in this context, play a key role,” we could read on the introductory label of the “City performance” section, in the recent exhibition Kinshasa Chroniques; “Kinshasa and the ...
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Population Studies, 1996
This paper examines key socio-economic changes over the past 40 years in the lives of women in Kinshasa, Zaire, and how those changes relate to observed fertility behaviour. Data from surveys carried out in 1955, 1975, and 1990 are used to highlight the remarkable shift that has taken place in the educational attainment of women: in the 1950s the vast ...
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This paper examines key socio-economic changes over the past 40 years in the lives of women in Kinshasa, Zaire, and how those changes relate to observed fertility behaviour. Data from surveys carried out in 1955, 1975, and 1990 are used to highlight the remarkable shift that has taken place in the educational attainment of women: in the 1950s the vast ...
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African Arts, 1995
Les murs des boutiques zairoises de Kinshasa sont decores de peintures realisees par des artistes plus ou moins connus, parfois issus de l'Ecole des Beaux Arts. Ces decorations representent la vie, la culture de cette ville. Vert, rouge, et jaune ont une signification particuliere.
Philippe Parisel, Lelo Nzuzi
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Les murs des boutiques zairoises de Kinshasa sont decores de peintures realisees par des artistes plus ou moins connus, parfois issus de l'Ecole des Beaux Arts. Ces decorations representent la vie, la culture de cette ville. Vert, rouge, et jaune ont une signification particuliere.
Philippe Parisel, Lelo Nzuzi
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Le Carrefour Congolais, 2023
L’automédication est une pratique qui consiste à prendre des médicaments sans l’avis d’un professionnel de santé. Cette pratique est très répandue en République Démocratique du Congo. Ses raisons sont multiples. C’est le cas notamment de la culture, de la pauvreté mais aussi de l’échec de la relation thérapeutique.
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L’automédication est une pratique qui consiste à prendre des médicaments sans l’avis d’un professionnel de santé. Cette pratique est très répandue en République Démocratique du Congo. Ses raisons sont multiples. C’est le cas notamment de la culture, de la pauvreté mais aussi de l’échec de la relation thérapeutique.
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2002
Die bewaffneten Auseinandersetzungen in den beiden Kivu-Provinzen im Osten Kongo-Kinshasas wurden auch im Berichtsjahr mit hoher Intensitat geflihrt. In diesem Konflikt kampfen lokale Mayi-Mayi-Milizen mit Unterstutzung ruandischer und burundischer Rebellengruppen seit Juli 1997 gegen die Armeen Ruandas und Ugandas und die kongolesischen ...
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Die bewaffneten Auseinandersetzungen in den beiden Kivu-Provinzen im Osten Kongo-Kinshasas wurden auch im Berichtsjahr mit hoher Intensitat geflihrt. In diesem Konflikt kampfen lokale Mayi-Mayi-Milizen mit Unterstutzung ruandischer und burundischer Rebellengruppen seit Juli 1997 gegen die Armeen Ruandas und Ugandas und die kongolesischen ...
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2010
Abstract : This article centers on an event that has until now attracted little serious attention from historians or political scientists, yet provides key information about the nature, form, goals and symbolism of a regime that changed the face of postcolonial Africa.
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Abstract : This article centers on an event that has until now attracted little serious attention from historians or political scientists, yet provides key information about the nature, form, goals and symbolism of a regime that changed the face of postcolonial Africa.
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African Identities, 2007
The recent transformation of the urban landscape of Kinshasa is documented by the Belgian photographer Marie‐Francoise Plissart whose images capture the palpable manifestation of a rapidly decomposing city, its urban landscape, and the lives of those whose existence has been irrevocably altered by forces outside their immediate control.
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The recent transformation of the urban landscape of Kinshasa is documented by the Belgian photographer Marie‐Francoise Plissart whose images capture the palpable manifestation of a rapidly decomposing city, its urban landscape, and the lives of those whose existence has been irrevocably altered by forces outside their immediate control.
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