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The judgement of taste and the contemporary religious art
Sacrum et Decorum, 2010 Pierre Bourdieu argues that in modern times, every aesthetic choice is a factor of social classification. His theory demonstrates that the judgment of taste is socially constructed and at the same time itself serves to establish social distance and ...
Ewa Klekot
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Rethinking Marxism, 2010
This essay is an introduction to a Symposium on Kitsch, Class, and Political Aesthetics. Kitsch, understood partly as “really bad taste,” holds a place in cultural circles as a ubiquitous irritant, though one of ongoing curiosity because of its continuous ambiguity.
Jack Amariglio
exaly +2 more sources
This essay is an introduction to a Symposium on Kitsch, Class, and Political Aesthetics. Kitsch, understood partly as “really bad taste,” holds a place in cultural circles as a ubiquitous irritant, though one of ongoing curiosity because of its continuous ambiguity.
Jack Amariglio
exaly +2 more sources
2021
Chapter 5 explores contemporary Soviet anxieties about mass media and popular culture by detailing Valentin Silvestrov’s shift in the 1970s from avant-garde cacophony to a quiet, nostalgic style that he unironically called “kitsch.” During this dark economic period, when he also was persona non grata in the Ukrainian Union of Composers, Silvestrov ...
+6 more sources
Chapter 5 explores contemporary Soviet anxieties about mass media and popular culture by detailing Valentin Silvestrov’s shift in the 1970s from avant-garde cacophony to a quiet, nostalgic style that he unironically called “kitsch.” During this dark economic period, when he also was persona non grata in the Ukrainian Union of Composers, Silvestrov ...
+6 more sources
1981
There are two possible ways to approach the problem of kitsch; we may either attempt to describe what kitsch-objects are, or focus attention on the human attitude which enables us to judge something as kitsch. We are, therefore, confronted with two different tasks; the first one consists in investigating into properties of aesthetically deviant objects
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There are two possible ways to approach the problem of kitsch; we may either attempt to describe what kitsch-objects are, or focus attention on the human attitude which enables us to judge something as kitsch. We are, therefore, confronted with two different tasks; the first one consists in investigating into properties of aesthetically deviant objects
openaire +1 more source
Kitsch in Television: Broadcasted Kitsch Experience
Influence through utilising kitsch experiences is a domain that connects politics and management in rational planning of what is being presented to the receivers. The case study analysed in this chapter explores how kitsch serves as a tool for indistinctively continuing the prevailing ideology while simultaneously disguising itself as entertainment ...Adam Konopka, Bianka Szymańska
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2023
The tenth issue of Viceversa opens an investigation into kitsch in order to understand the reasons for its elusiveness and to collectively approach its mystery. Within this space – whose boundaries are undefined, as the nature of the theme suggests – it is desirable to bring out multiple horizons of meaning that give rise to new theoretical devices and
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The tenth issue of Viceversa opens an investigation into kitsch in order to understand the reasons for its elusiveness and to collectively approach its mystery. Within this space – whose boundaries are undefined, as the nature of the theme suggests – it is desirable to bring out multiple horizons of meaning that give rise to new theoretical devices and
openaire +1 more source