Technological study of the “La Paya” ceramic collection from Peter the Great Museum of Anthropology and Ethnography (Kunstkamera, Russia) [PDF]
Arqueología, 2023The Calchaquí Valley archaeological complex presents numerous Santamariana-Calchaquí ceramics of varied production techniques, shapes, and painted decoration. The most frequent ceramic containers are bowls, so widely spread that they were used for manufacturing complex shapes (burial urns, asymmetric pots, and libation vessels).
Lyubov Dmitrenko
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Projekt kuratorsko-artystyczny FEMININE / kobieca kunstkamera [PDF]
Avant, 2015The article presents the works of Polish female artists belonging to the curato- rial-artistic project FEMININE. It can be also called a kind of ongoing interven- tion. The first exhibition took place in 2011 in the gallery Wozownia in Torun and has continued since then.
Katarzyna Lewandowska
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Kostenki 4 ground stone tools in the collection of Kunstkamera museum (MAE RAS)
Camera Praehistorica, 2023Tools made of soft rock materials at the Upper Paleolithic sites are usually represented by pebbles that were used for various domestic purposes without intentional modification of their shape. In the Neolithic period, the anisotropic stone raw materials were processed for manufacturing tools (such as axes, adzes, chisels, etc.) by abrasion — grinding,
Maria Zheltova, Sergey Lisitsyn
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Archival data on Historical locations of the Asiatic Museum in the Kunstkamera building
Orientalistica, 2022The Asiatic Museum was the first specialized research centre for oriental studies in Imperial Russia. The successors of the Asiatic Museum are nowadays the Institute of Oriental Studies of the Russian Academy of Sciences (Moscow) and the Institute of Oriental Manuscripts of the Russian Academy of Sciences (St. Petersburg). The Asiatic Museum collection
D. Ivanov
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Concepts of exhibiting ethnographic collections of the 18th century Kunstkamera of the Imperial Academy of Sciences [PDF]
The Issues of Museology, 2020The exposition of the 18th century Kunstkamera of the Imperial Academy of Sciences was arranged according to the principle of a universal, all-encompassing presentation of the surrounding world through material monuments. Along with natural history collections, items related to the traditional spiritual and material culture of various peoples were ...
Margarita F. Khartanovich+1 more
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LAPPONIAN (SAMI) COLLECTIONS IN 18th CENTURY KUNSTKAMERA OF THE IMPERIAL ACADEMY OF SCIENCES
Yearbook of Finno-Ugric Studies, 2022The work is aimed to specify composition and significance of the collections on the traditional Sami culture in the first Russian state public museum - the Kunstkamera of the Imperial Academy of Sciences (1714-1836) in St. Petersburg. A European cabinet of curiosities was part of a scientific system for disseminating reliable knowledge about the ...
Margarita Fedorovna Khartanovich+1 more
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Nikolay Katanov’s heritage: domestic museum collections (review of the kunstkamera foundations)
Heritage and Modern Times, 2023The article declares relevance at the present stage of further search, study, systematization and introduction into scientific circulation of the unpublished archival and museum heritage of Kazan University professor N.F. Katanov, one of the brigh test and most colorful national scientists and thinkers of Russian science, education and culture, an ...
R. M. Valeev+3 more
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The Japanese collection of the MAE RAS contains many objects that are interesting not only for their artistic features or ethnographic value, but also for the amazing history of acquisition, very often connected with remarkable people. This article focuses on three ihai 位牌 mortuary tablets in the MAE collection.
A. Sinitsyn
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Kunstkamera Jana Švankmajera, czyli wszystkie rzeczy wszystko znaczą
Ogrody Nauk i Sztuk, 2019Teza. Kunstkamera Jana Švankmajera to projekt o skomplikowanym układzie znaczeń, którego nie można jednoznacznie przyporządkować do jednej kategorii w kontekście teorii Krzysztofa Pomiana o semioforach. Omówione koncepcje. Artykuł opisuje artystyczny projekt kunstkamery czeskiego surrealisty Jana Švankmajera w kontekście teorii semioforów ...
A. Brzezińska
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The research revision of materials from the 1932 and 1934 collections of the world-famous geoarchaeological site Malta, stored in the Kunstkamera (St. Petersburg), was carried out in the spring of 2023. The purpose of the analysis was to identify lithic artifacts with marks of Aeolian corrasion as part of the study of the corraded industries of the ...
A. M. Kuznetsov, D. N. Molchanov
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