Results 51 to 60 of about 245 (154)

Cyberfield: Theory, Methodology, and Practice

open access: yesChanging Societies & Personalities
The study of digital identity began in the late 1980s with the rise of computers, the Internet, video games, and online communication tools. Over the past 35 years, digital anthropology and ethnography have provided valuable insights into virtual ...
Svetlana Yu. Belorussova   +2 more
doaj   +1 more source

Birth Rituals and Cultural Memory of Albanian Diaspora in Ukraine

open access: yesPoznańskie Studia Slawistyczne, 2019
The article is devoted to the traditional birth rituals of Albanians of Ukraine reflected in their cultural memory. Several migrations from the South Albania since XV-XVI century, following by different geographic, political, ethnic and sociocultural ...
Alexandra Dugushina
doaj   +1 more source

Economic Policy in the Field of Forest Exploitation in the Baltic States of the First Half of the XVIII Century

open access: yesВестник Кемеровского государственного университета, 2019
The research featured the economic policy in the sphere of forest exploitation led by St. Petersburg government in the Baltic region. The paper describes the policy and reveals the mechanisms of its elaboration and change.
E. M. Lupanova
doaj   +1 more source

Tuva in anthropologist E.D. Prokofieva’s doom

open access: yesНовые исследования Тувы, 2016
Article presents the Tuvan period of scientific career of Yekaterina Dmitrievna Prokofieva, well-known as a specialist in culture of Selkups. In 1950’s she has been productive in researching the Tuvan ethnography and has written a monography "National ...
Vladimir A. Kisel
doaj  

Pallas's diary from the expedition to the Cheremshan River basin

open access: yesУченые записки Казанского университета: Серия Гуманитарные науки, 2018
The part of Professor P.S. Pallas's diary describing the travel through settlements along the Cheremshan River basin as part of the expeditions of 1768–1774 has been translated for the first time.
A.G. Abaydulova, A.K. Salmin
doaj  

Kunstkamera, Schumacher and the Academic Regulations of 1747

open access: yesKunstkamera
Traditionally, the Kunstkamera is defined as a scientific and auxiliary institution (“laboratory”) of the Academy of Sciences, coming from the “Draft Regulations on the Establishment of the Academy of Sciences and Arts”. However, in the “Regulations of the Imperial Academy of Sciences and Arts in St.
openaire   +1 more source

Ostyak Sees Ostyak from Afar: Few Remarks on the “Ishtyaks: The Borderland between the Cis-Urals and Siberia”

open access: yesЗолотоордынское обозрение, 2020
In this review article, the author summarizes the views expressed in the collected papers of several authors and articulates his own vision on a specific topic.
Golovnev A.V.
doaj   +1 more source

Balkan Colonists in the Azov Region: Diversity of Identities and Demise of the Ethnic Paradigm

open access: yesRUDN Journal of Russian History
Through his work, the author analyzes the influence of state ideology and cultural codes on the ethnic and national self-identification of the migrants from Southeastern Europe to the Azov region of Russia.
Alexander A. Novik
doaj   +1 more source

Kunstkamera Jana Švankmajera, czyli wszystkie rzeczy wszystko znaczą

open access: yesOgrody Nauk i Sztuk, 2019
Teza. Kunstkamera Jana Švankmajera to projekt o skomplikowanym układzie znaczeń, którego nie można jednoznacznie przyporządkować do jednej kategorii w kontekście teorii Krzysztofa Pomiana o semioforach. Omówione koncepcje. Artykuł opisuje artystyczny projekt kunstkamery czeskiego surrealisty Jana Švankmajera w kontekście teorii semioforów Krzysztofa ...
openaire   +1 more source

Kyŏmjae Chŏng Sŏn Screen from the Kunstkamera Collection: Question of Attribution

open access: yes, 2023
In the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (Kunstkamera, Saint Petersburg), there is an eight-panel screen attributed to Kyŏmjae Chŏng Sŏn (1676‑1759), one of the most important artists in the history of Korean art. Chŏng Sŏn was a pioneer of so-called ‘true-view’ landscapes. Only a few works of the
openaire   +1 more source

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