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Dialectics in Vargas Llosa's "La guerra del fin del mundo"
Chasqui, 1992Mario Vargas Llosa's La guerra delf?n del mundo is known to derive many elements from Euclides da Cunha's Os Sert?es. We show that its imagery, characterization and plot reflect the dialectical thinking at the center of Cunha's epic. Dialectics represents the nineteenth-century culture that Cunha predicted will transform the nearly medieval culture of ...
Sandra S. Fernandes Erickson +1 more
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La guerra del fin del mundo : une entreprise satanique
America, 1994Aubès Françoise. La guerra del fin del mundo : une entreprise satanique. In: América : Cahiers du CRICCAL, n°14, 1994. Histoire et imaginaire dans le roman latino-américain contemporain, v2. pp. 231-239.
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Filtres et prismes : les médiations dans La guerra del fin del mundo
America, 1994Franco Jean. Filtres et prismes : les médiations dans La guerra del fin del mundo. In: América : Cahiers du CRICCAL, n°14, 1994. Histoire et imaginaire dans le roman latino-américain contemporain, v2. pp. 217-229.
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L'histoire et ses métaphores : La guerra del fin del mundo et Maladrón
America, 1993Gladieu Marie-Madeleine. L'histoire et ses métaphores : La guerra del fin del mundo et Maladrón . In: América : Cahiers du CRICCAL, n°12, 1993. Histoire et imaginaire dans le roman latino-américain contemporain, v1. pp. 223-228.
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El discurso apocalíptico enLa guerra del fin del mundo
Symposium: A Quarterly Journal in Modern Literatures, 2012This article explores the visionary register of Mario Vargas Llosa's La guerra del fin del mundo (1981). In Vargas Llosa's novel, there is a narrative tension between the historical context in which the action takes place and the religious discourse that tries to transcend it.
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Roman et mythe. A propos d'une figure mythique de La guerra del fin del mundo
America, 1988Giudicelli Christian. Roman et mythe. A propos d'une figure mythique de La guerra del fin del mundo. In: América : Cahiers du CRICCAL, n°3, 1988. Les mythes identitaires en Amérique latine. pp. 221-230.
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Santos and Cangaceiros: Inscription without Discourse in Os Sertoes and La guerra del fin del mundo
MLN, 1986In a previous essay, "Locura y dolor: la elaboraci6n de la historia en Os Sertoes y La guerra delfin del mundo,"' I have tried to unhinge the metaphor(s) by which both Euclides da Cunha and Mario Vargas Llosa elaborate their understanding of history and the signification of the events of Canudos as history. In that essay I showed first that Euclides da
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Hétérédoxies et déviance religieuse dans Maladrón, Hijo de hombre, La guerra del fin del mundo
America, 1994Janquart Aline. Hétérédoxies et déviance religieuse dans Maladrón, Hijo de hombre, La guerra del fin del mundo. In: América : Cahiers du CRICCAL, n°14, 1994. Histoire et imaginaire dans le roman latino-américain contemporain, v2. pp. 73-86.
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Religion and the Novel in Mario Vargas Llosa'sLa guerra del fin del mundo
Symposium: A Quarterly Journal in Modern Literatures, 2012Mario Vargas Llosa's “favorite novel,” The War of the End of the World (1981), may be read not just as a rewriting of Euclides da Cunha's account of the Brazilian government's war against religious fanatics in the Canudos rebellion in Rebellion in the Backlands (1902), but also as a profound critique of the religious elements that are intertwined with ...
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La guerra del fin del mundo y los modos narrativos de Mario Vargas Llosa
1983Text in Spanish; abstract in English.
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