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Pressure ulcer risk in patients undergoing cardiovascular surgery and their occurrence within 24 hours of the operation. [PDF]
Gürer Z, Akansel N, Kahraman N.
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[Addressing sexual violence in health services]. [PDF]
Salvador Sánchez L +3 more
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Epilepsy and musical perception. A perspective involving 14 patients. [PDF]
Fernández-Cabrera A +6 more
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La poética del enrarecimiento en La mujer sin cabeza (2008), de Lucrecia Martel
Hispanic Research Journal, 2015El cine de Lucrecia Martel frecuentemente ha sido abordado desde perspectivas que privilegian las problematicas de genero, asi como la memoria y el trauma en relacion con la ultima dictadura militar argentina. Si bien estas miradas sobre la produccion de Martel son apropiadas, especialmente aquellas que se enfocan en las relaciones familiares ...
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Dazed and Deceitful: La mujer sin cabeza
2019La mujer sin cabeza/The Headless Woman is the concluding feature of Martel’s Salta trilogy. While the film revisits some of the same themes evoked in her first two features, this chapter argues that this film is her most explicit in addressing the fallout of post-dictatorship Argentina.
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Romance Notes, 2010
In the period between the first Peron presidency and the last military dictatorship (1955 to 1976), Argentine political opposition privileged the protagonism of the popular masses over that of the intellectual as agent of social change. But the intended audience of opposition cinema--such as that of the Grupo Cine Liberacion--was often what populist ...
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In the period between the first Peron presidency and the last military dictatorship (1955 to 1976), Argentine political opposition privileged the protagonism of the popular masses over that of the intellectual as agent of social change. But the intended audience of opposition cinema--such as that of the Grupo Cine Liberacion--was often what populist ...
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Child Death in Buenos Aires viceversa, La vendedora de rosas and La mujer sin cabeza
2019In Latin American cinema, the depiction of street children and slum children has a long history stretching back to Luis Bunuel’s Los olvidados. This chapter examines the representation of street children and severely marginalised children and the common tendency for these representations to end with the death of their child protagonists, in films from ...
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Hispanic Research Journal, 2013
This article examines Lucrecia Martel’s 2008 film La mujer sin cabeza, taking childhood and youth as its main category of analysis and discussing the relationship between the film’s uses and portrayals of these, and the categories of gender, race, and class.
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This article examines Lucrecia Martel’s 2008 film La mujer sin cabeza, taking childhood and youth as its main category of analysis and discussing the relationship between the film’s uses and portrayals of these, and the categories of gender, race, and class.
openaire +1 more source

