Results 141 to 150 of about 257,442 (172)

[Barriers and facilitators in accessing and using primary health care centers for people experiencing homelessness]. [PDF]

Aten Primaria
Sánchez Hidalgo M, Andrés MS, Canadell Rusiñol J, Fürstenheim Milerud LP, Gómez Palomar E, Moya Tena M.   +5 more
europepmc   +1 more source

Todo el cielo está en Hijate [PDF]

, 1997
Lorenzo, Francisco M.
core  

Characteristics of nursing care expanded by anthroposophy: a scoping review. [PDF]

Rev Lat Am Enfermagem
Martín-Hernández S, Sousa JM, Casanova-Garrigos G.   +2 more
europepmc   +1 more source

“Hotel California”; “La divina binidad”; \u3cem\u3ePIEDAD\u3c/em\u3e [PDF]

, 2014
Haug, Susana
core   +1 more source

Comunicaciones LX Reunión Anual SENFC Barcelona, 2 a 4 de octubre de 2024. [PDF]

Rev Neurol
europepmc   +1 more source

First report of PURA syndrome in a Colombian patient with de novo missense variant c.692T>C (p.Phe231Ser) [PDF]

Biomedica
Cerón SM, Pérez DA, Montaño JH, Acosta MA.   +3 more
europepmc   +1 more source

[Experiences of pregnant women with hypertensive disorders admitted to critical care units and mother-child separation in three institutions in Ecuador, during the Covid-19 pandemic (2020)]. [PDF]

Rev Colomb Obstet Ginecol
Conforme Delgado NA, Daquilema Sánchez MC, Cabrera Olvera JL, Jiménez Barrera M, Rodríguez Díaz JL.   +4 more
europepmc   +1 more source

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La poética del enrarecimiento en La mujer sin cabeza (2008), de Lucrecia Martel

Hispanic Research Journal, 2015
El cine de Lucrecia Martel frecuentemente ha sido abordado desde perspectivas que privilegian las problematicas de genero, asi como la memoria y el trauma en relacion con la ultima dictadura militar argentina. Si bien estas miradas sobre la produccion de Martel son apropiadas, especialmente aquellas que se enfocan en las relaciones familiares ...
openaire   +3 more sources

Dazed and Deceitful: La mujer sin cabeza

2019
La mujer sin cabeza/The Headless Woman is the concluding feature of Martel’s Salta trilogy. While the film revisits some of the same themes evoked in her first two features, this chapter argues that this film is her most explicit in addressing the fallout of post-dictatorship Argentina.
openaire   +3 more sources

Lucrecia Martel’s La mujer sin cabeza : Cinematic Free Indirect Discourse, Noise-scape and the Distraction of the Middle Class

Romance Notes, 2010
In the period between the first Peron presidency and the last military dictatorship (1955 to 1976), Argentine political opposition privileged the protagonism of the popular masses over that of the intellectual as agent of social change. But the intended audience of opposition cinema--such as that of the Grupo Cine Liberacion--was often what populist ...
openaire   +3 more sources