Results 121 to 130 of about 646 (175)
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‘Lampedusa in Hamburg’: Representing Lampedusa in a Transnational Context
Italian and Italian American Studies, 2023exaly +2 more sources
2018
Against the background of recent critical debates surrounding the notion of "posthuman" the entry discusses "Lampedusa" as a signifier of the "massacre of the human" (F. Fanon) that takes place along many borders today. The theoretical implications of such "massacre" are discussed at the end of the entry.
S. Mezzadra, B. Neilson
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Against the background of recent critical debates surrounding the notion of "posthuman" the entry discusses "Lampedusa" as a signifier of the "massacre of the human" (F. Fanon) that takes place along many borders today. The theoretical implications of such "massacre" are discussed at the end of the entry.
S. Mezzadra, B. Neilson
+5 more sources
Third Text, 2018
This article brings together Sophocles’s tragedy, Oedipus at Colonus, with an account of the 2013 Lampedusa disaster in which over 300 migrants perished off the coast of Italy.
Mark Justin Rainey
exaly +2 more sources
This article brings together Sophocles’s tragedy, Oedipus at Colonus, with an account of the 2013 Lampedusa disaster in which over 300 migrants perished off the coast of Italy.
Mark Justin Rainey
exaly +2 more sources
Teatro e storia : Danza, Dramaturg e Drammi : 28, 2007, 2007
Diderot’s le Fils Naturel is generally seen as containing the first developed theories with regard to a new genre of dramatic literature, that will later become known as ‘the dramatic genre’. However, the composite structure of Diderot’s book, which is made up of a framework-story, a dramatic model and a theoretical discussion, also represents the ...
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Diderot’s le Fils Naturel is generally seen as containing the first developed theories with regard to a new genre of dramatic literature, that will later become known as ‘the dramatic genre’. However, the composite structure of Diderot’s book, which is made up of a framework-story, a dramatic model and a theoretical discussion, also represents the ...
openaire +2 more sources
Communications, 2015
Résumé Cet article présente les résultats d’une recherche empirique sur les faits tragiques survenus à Lampedusa le 3 octobre 2013 et compare deux processus culturels contraires et liés. Le premier processus ( dématérialisant ) implique des acteurs et des institutions sociales visant une dissimulation et une raréfaction des aspects matériels liés à la ...
NICOLOSI, GUIDO, PANEBIANCO K.
openaire +4 more sources
Résumé Cet article présente les résultats d’une recherche empirique sur les faits tragiques survenus à Lampedusa le 3 octobre 2013 et compare deux processus culturels contraires et liés. Le premier processus ( dématérialisant ) implique des acteurs et des institutions sociales visant une dissimulation et une raréfaction des aspects matériels liés à la ...
NICOLOSI, GUIDO, PANEBIANCO K.
openaire +4 more sources
2018
This chapter is written as if standing in front of Caravaggio’s Sleeping Cupid (1608), in the Lampedusa exhibition “Towards the Museum of Trust and Dialogue for the Mediterranean.” It describes the installation constructed around the painting in the island museum and reflects critically on the juxtaposition introduced in media discourse between ...
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This chapter is written as if standing in front of Caravaggio’s Sleeping Cupid (1608), in the Lampedusa exhibition “Towards the Museum of Trust and Dialogue for the Mediterranean.” It describes the installation constructed around the painting in the island museum and reflects critically on the juxtaposition introduced in media discourse between ...
openaire +1 more source
Lampedusa : architetture per l'accoglienza
Nuove autonomie : XXII, 2/3, 2013, 2013The experience, carried on in the architectonical design laboratories, in the faculty of Architecture in Palermo, has had the aim to qualify the teaching of the project with the introduction of important ethic and social contents. If, on the one hand, hospitality is one of the most important value for architecture, on the other hand, it asks us about ...
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Journal of Contemporary Archaeology, 2017
In the fall of 2015, the British Museum acquired the Lampedusa Cross, a cross of the Latin type crafted from wood salvaged from a migrant vessel which wrecked off of the coast of Lampedusa in 2013, killing nearly two thirds of the 566 people on board.
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In the fall of 2015, the British Museum acquired the Lampedusa Cross, a cross of the Latin type crafted from wood salvaged from a migrant vessel which wrecked off of the coast of Lampedusa in 2013, killing nearly two thirds of the 566 people on board.
openaire +1 more source