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Caravaggio on Lampedusa

2018
This chapter is written as if standing in front of Caravaggio’s Sleeping Cupid (1608), in the Lampedusa exhibition “Towards the Museum of Trust and Dialogue for the Mediterranean.” It describes the installation constructed around the painting in the island museum and reflects critically on the juxtaposition introduced in media discourse between ...
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Lampedusa : architetture per l'accoglienza

Nuove autonomie : XXII, 2/3, 2013, 2013
The experience, carried on in the architectonical design laboratories, in the faculty of Architecture in Palermo, has had the aim to qualify the teaching of the project with the introduction of important ethic and social contents. If, on the one hand, hospitality is one of the most important value for architecture, on the other hand, it asks us about ...
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Reframing the Lampedusa Cross

Journal of Contemporary Archaeology, 2017
In the fall of 2015, the British Museum acquired the Lampedusa Cross, a cross of the Latin type crafted from wood salvaged from a migrant vessel which wrecked off of the coast of Lampedusa in 2013, killing nearly two thirds of the 566 people on board.
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Thehole, thecorridorand the landings: reframing Lampedusa through the COVID-19 emergency

Ethnic and Racial Studies, 2022
Luca Giliberti, Luca Queirolo Palmas
exaly  

The Colour(s) of Lampedusa

2017
As a dystopic space, Lampedusa represents the hyper-real functioning (or dys-functioning) of border control. Site of biometrics and definitions of European “imagined community”, Lampedusa is the conundrum of a number of colour lines/borders that have old and more recent origins: the North–South (Continental Europe vs.
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Lampedusa and the migrant crisis

2016
Mobile Culture Studies. The Journal; Volume 2016 (2); Issue 2; Seitenzahl: 59-92; ISSN: 2413-9181;
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