Results 261 to 270 of about 43,283 (335)

Lars von Trier

2011
Scandinavia's foremost living auteur and the catalyst of the Dogme 95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming.
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Profondo rosso. L’inferno secondo Lars von Trier

Arabeschi. Rivista internazionale di studi su letteratura e visualità. N. 18, 2021
Nel quadro della fortuna cinematografica del poema dantesco il film di Lars von Trier The House That Jack Built (2018) rappresenta un’eccezione alla regola degli adattamenti, per il forte investimento visuale e l’anomala declinazione di uno scenario infernale capace di rimediare diverse fonti iconografiche.
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La Medea romántica de Lars von Trier: homenaje a Carl Theodor Dreyer

Journal of Feminist Gender and Women Studies
Lars von Trier's adaptation of Carl Theodor Dreyer's screenplay of Euripides' Medea translates every word printed in the literary text into images, replacing each connoted meaning with its "corresponding," yet unambiguous, image.
Encarnación Fernández Gómez
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Matoš i Lars von Trier [PDF]

, 2021
Svrha je ovog završnog rada interpretirati i usporediti putopis Antuna Gustava Matoša Oko Lobora, pjesnički tekst Mrtvac Vladimira Vidrića i film Melancholia redatelja Lars von Triera. Cilj je ovoga završnog rada usporediti, tj. analizirati putopis, pjesnički tekst i film pomoću narativnih figura, a to su psihemska, sociemska i ontemska te pomoću ...
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Lars von Trier’s Apocalyptic Consciousness in the Anthropology of the House That Jack Did Not Build

Ideas and Ideals
The subject of the study is the concept of the historical hero as a victor of the gods and his role in contemporary Western cultural heritage, with a focus on the reinterpretation of Scandinavian culture in the works of Lars von Trier.
Vyacheslav Kon
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A Winston Parva de Lars von Trier

Revista cientifica/FAP
Esse artigo tece algumas interpretações sobre o filme Dogville (2003), dirigido por Lars von Trier, à luz da perspectiva sociológica de Norbert Elias e John Scotson (2000).
Bruno José Yashinishi, Tony Honorato
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Lars von Triers Filmwelten

2012
Diese Arbeit untersucht die Darstellung und Bedeutung des Raums in den Filmen THE ELEMENT OF CRIME, EPIDEMIC und EUROPA, der sogenannten Europatrilogie des dänischen Regisseurs und Drehbuchautors Lars von Trier. Hierzu wird zunächst der Begriff „Raum“ in seinen verschiedenen Abwandlungen definiert: Dies geschieht zunächst aus physikalischer Richtung ...
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Interviews with Lars von Trier

2017
This chapter presents excerpts from two interviews conducted by the author. The first took place on September 19, 2006, two days before the premiere of Lars von Trier's The Boss of It All at the Copenhagen International Film Festival. The second took place on October 3, 2007, which followed up the discussion of The Boss of It All begun in the first ...
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Lars von Trier and German Expressionism: Understanding von Trier’s Transnational Appeal

2021
Lars von Trier has acknowledged that he appropriates visual and conceptual motifs from German Romanticism. It is unsurprising that various commentators including, Steven Shaviro, Robert Sinnerbrink, Bonnie Honig and Lori J. Marso, and Richard Brody among others, have argued that his work extends on or even corrupts the legacy of German Romanticism. But
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MANIFESTO II (Denmark, 1987)

, 2019
L. Trier
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