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Russian Literature, 2016
Abstract Both Lermontov and Khodasevich were greeted by critics as having deep ties to the lyre of the Russian classical poets and both were also appreciated for the distinctiveness of their individual artistic voices. The name of Lermontov is rarely mentioned in connection with Khodasevich, nevertheless, the impact of his poetics on Khodasevich ...
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Abstract Both Lermontov and Khodasevich were greeted by critics as having deep ties to the lyre of the Russian classical poets and both were also appreciated for the distinctiveness of their individual artistic voices. The name of Lermontov is rarely mentioned in connection with Khodasevich, nevertheless, the impact of his poetics on Khodasevich ...
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Journal of the Australasian Universities Language and Literature Association, 1968
(1968). LERMONTOV’S ‘DEMON’. Journal of the Australasian Universities Language and Literature Association: Vol. 29, No. 1, pp. 25-32.
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(1968). LERMONTOV’S ‘DEMON’. Journal of the Australasian Universities Language and Literature Association: Vol. 29, No. 1, pp. 25-32.
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Russian Review, 1941
and he died four years after Pushkin's death, that is, at the quite ridiculous age of twenty-seven.' Like Pushkin he was killed in a duel, but his duel was not the inevitable sequel of a tangled tragedy as in Pushkin's case. It belonged rather to that trivial type which in the eighteenthirties and forties so often turned hot friendship into cold murder-
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and he died four years after Pushkin's death, that is, at the quite ridiculous age of twenty-seven.' Like Pushkin he was killed in a duel, but his duel was not the inevitable sequel of a tangled tragedy as in Pushkin's case. It belonged rather to that trivial type which in the eighteenthirties and forties so often turned hot friendship into cold murder-
openaire +1 more source