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Sources of Leyla vü Mecnun Written by Fuzuli: From Lilith to Leyla

2018
The existence of a completely original text is doubtful. It is imperative that each text has to be associated with the previous text / texts.These associations can be found to be extremely difficult to detect alongside those on the surface.It seems that our classical literature thatfollows the tradition, especially the love mesnevis, has a network of ...
YILMAZ, Kadriye, GEZER, Hatice
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Bir Daha Leyla ile Mecnun Yazılmayacak

Leyla and Mecnun Will Never Be Written Again A Sociology of the Social Death of Love Examines the historical, cultural, and societal transformations of love through a sociological lens. Drawing on the classical Leyla and Mecnun narrative, Emrullah Zorlu explores the place of love in collective memory, the changing emotional regimes, and its loss of ...
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The Leyla ve Mecnun by Örfi from Edirne

2014
The story of "Leyla ve Mecnun" which was written by an Iranian poet Nizami, has also been admired by Turkish poets and embroidered by more than thirty Turkish poets. One of these poets is the 18 th century poet Örfi from Edirne. The two known copies of "Leyla ve Mecnun" by Örfı are in Edirne and Erzurum. We made the text analysis of
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LEYLA VÜ MECNUN

XII. Uluslararası Türk Dünyası Araştırmaları Sempozyumu
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FUZULİ'NİN LEYLA VE MECNUN MESNEVİSİNDE İNANÇLAR VE GELENEKLER

2010
Fuzuli, dünya güzelliklerinin, gerçekte ilahi güzelliklerin birer yansıması olduğu ve bir varlığa duyulan sevginin aslında o varlıkta bulunan ilahi unsura olduğunu kabul eden tasavvuf doktrininin temsilcisidir. Diğer taraftan inanç sisteminin, sosyal yaşamın önemli bir parçası olduğunu da kabul eden bir kişiliktir.
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FUZULİ'NİN LEYLA VE MECNUN MESNEVİSİ'NDE GÜNDELİK HAYAT

2010
ÖZETLeyla ve Mecnun mesnevısı, her ne kadar Fuzuli'nin tasavvufi dünyagörüşünü platonik aşkla yansıtsa da eserde, sosyal münasebetler ve beşeri hayat,bütün canlılığıyla kendini göstermektedir.
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Analysis of Intertextuality Methods Used in Leyla and Mecnun Television Series with Content Analysis

Intertextuality has established itself as a significant concept in literary theory since the 1960s. Rooted in Mikhail Bakhtin’s notions of polyphony and dialogism, this theoretical approach was later termed “intertextuality” by Julia Kristeva. The concept was further developed by theorists such as Roland Barthes, Michael Riffaterre, and Gérard Genette,
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