Results 11 to 20 of about 43,466 (160)
Frank Gehry’s Self-Twisting Uninterrupted Line: Gesture-Drawings as Indexes
The article analyses Frank Gehry’s insistence on the use of self-twisting uninterrupted line in his sketches. Its main objectives are first, to render explicit how this tendency of Gehry is related to how the architect conceives form-making, and second ...
Marianna Charitonidou
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Phrase frequency effects in language production. [PDF]
A classic debate in the psychology of language concerns the question of the grain-size of the linguistic information that is stored in memory. One view is that only morphologically simple forms are stored (e.g., 'car', 'red'), and that more complex forms
Niels Janssen, Horacio A Barber
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Pencil Drawing Generation Algorithm Based on GMED
The automatic generation of pencil drawings from natural images has been a hot spot in the field of nonphotorealistic rendering in recent years and has attracted the attention of many scholars.
Huaping Zhou, Chao Zhou, Xiaoyan Wang
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From Tutte to Floater and Gotsman: On the Resolution of Planar Straight-line Drawings and Morphs [PDF]
The algorithm of Tutte for constructing convex planar straight-line drawings and the algorithm of Floater and Gotsman for constructing planar straight-line morphs are among the most popular graph drawing algorithms.
Giuseppe Di Battista, Fabrizio Frati
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Although MLD students do not have good mathematical performance in completing addition and subtraction operations of integers, MLD students have suggestive ideas in the form of drawings produced in solving open number sentences questions. This study aims
Mohammad Faizal Amir
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Shadings in digital taxonomic drawings [PDF]
This contribution describes how shadings can be applied to taxonomic line drawings created with vector graphics software. The line drawings created with the vector graphic software are saved in vector format and then also in bitmap graphics format.
Ch. Oliver Coleman
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Line-Drawn Scenes Provide Sufficient Information for Discrimination of Threat and Mere Negativity
Previous work using color photographic scenes has shown that human observers are keenly sensitive to different types of threatening and negative stimuli and reliably classify them by the presence, and spatial and temporal directions of threat.
Jasmine Boshyan +4 more
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Attentional biases toward real images and drawings of negative faces
The allocation of attention is affected by internal emotional states, such as anxiety and depression. The attention captured by real images of negative faces can be quantified by emotional probe tasks.
Tomoyuki Tanda +2 more
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Time Line Drawings: Enhancing Participant Voice in Narrative Interviews on Sensitive Topics
In this article the authors describe the use of time line drawings in sensitive-topic narrative interviews. They present time line drawings as a means of inviting participants to enter into a reflective space and engage their stories with a depth that ...
Francis Guenette, Anne Marshall
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Sensitivity to differences in the motor origin of drawings: from human to robot. [PDF]
This study explores the idea that an observer is sensitive to differences in the static traces of drawings that are due to differences in motor origin. In particular, our aim was to test if an observer is able to discriminate between drawings made by a ...
Helena De Preester, Manos Tsakiris
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