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Yury Tynyanov and the ‘Literary Fact’

2004
Russian Formalist theory argued that biography should be studied scientifically as the history of form, rather than as a history of personalities, ideas, or content. In other words, the study of literature is not philosophy, sociology, theology, or mythology, but an exact science of the primary matter of text: the word, the language, the speech, and ...
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Literary Criticism and the Philosophy of Science: Rader's "Fact, Theory, and Literary Explanation"

Critical Inquiry, 1975
Most critics would agree that we are sometimes able to explain the texts we study. We do not explain them fully, perhaps, and we may not even be sure what it would mean to give a complete explanation, but these problems do not alter the fact that criticism is at least in part a matter of explaining.
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Afterlife – Fact, Fiction and a New Literary Genre

2015
Contemporary Chroniclers In addition to travellers' tales the eighteenth century saw a boom in the publication of voyage anthologies and – a field which, according to Thomas Lediard, had hitherto suffered from ‘blind neglect’ – naval histories. The first of these histories was Josiah Burchett's Complete History of the Most Remarkable Transactions at
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American Literary Landscapes: The Fiction and the Fact

The Modern Language Review, 1991
Andrew Hook, Ian F. A. Bell, D. K. Adams
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The "fact of creation" in french literary and artistic property law

2019
L’article L. 111-2 du Code de la propriété intellectuelle répute le « fait de la création » par le « fait de la réalisation » dela « conception de l’auteur ». L’« oeuvre de l’esprit » qui en résulte est l’objet de la propriété incorporelle de l’auteur maisn’en demeure pas moins une énigme pour les juristes (ainsi que l’a toujours été la création pour ...
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