Results 1 to 10 of about 10,586 (166)
Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann [PDF]
Phainomena, 2023 The aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided different ...
Sazan Kryeziu
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Roman Ingarden’s Ontology of Music and Literary Work of Art [PDF]
حکمت و فلسفه, 2016 Roman Ingarden (1893-1970) is considered as the founder of ontology of art. Having been influenced by Husserl phenomenological doctrines, Ingarden argues that work of art and aesthetic object are ontologically two different entities.
Mohammad reza Abolghassemi
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THE STUDENT AS AN ACTIVE RECIPIENT OF LITERARY ART
Facta Universitatis. Series, Teaching, Learning and Teacher Education, 2021 The theory of reception in the study of literature is based on the knowledge that the reader is an indispensable actor in the realization of a literary work, as well as in the process of its spiritual form.
Amela Malićević +2 more
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The Constitution of the State as a Problem of Phenomenology
Logos i Ethos, 2022 Roman Ingarden the early phenomenologist is regarded as a theorist in the area of aesthetics and ontology rather than being a political philosopher. The aim of the article is to reconstruct a non-existent philosophy of the state, one that could have ...
Andrzej Gniazdowski
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The Occasions of Theodore Dreiser’s Literary Criticism – a View from the Theodore Dreiser Edition [PDF]
Литература двух Америк, 2021 Theodore Dreiser published over fifty items of literary criticism between 1900 and 1945 on a wide variety of subjects, while additional discussion of literary matters is scattered through his correspondence, memoirs, unpublished speeches, and cultural ...
Jude Davies
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O prawdzie w literaturze uwag kilka
Studia Philosophiae Christianae, 2020 This article deals with the issue of truth in literature by considering Roman Ingarden’s account. He denies that literary work as a work of art can be true in a logical sense. As a purely intentional object, a literary work of art decides nothing about a
Wiesława Tomaszewska
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Aliran Parnasianisme dan Sejarah Perkembangannya
Diwan: Jurnal Bahasa dan Sastra Arab, 2022 Through this paper, researchers will seek to decipher (a) how the history of the emergence of parnasianism as a literary school, (b) who are the most important figures and poets of the Parnasianism school, (c) how the pattern of thought of the ...
Ilham Rozaq Al As'at
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Gregor Samsa’s Spots of Indeterminacy: Kafka as Phenomenologist [PDF]
The Polish Journal of Aesthetics, 2019 Kafka’s presentation of Gregor Samsa in Metamorphosisis explicable using Ingarden’s ontology of the literary work of art. The common heritage of Kafka’s and Ingarden’s theo-retical commitments (Franz Brentano) might explain the conceptual ...
Charlene Elsby
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La Obra de Arte Literaria Digital Como Diálogo de Lenguajes
Revista Académica Estesis, 2023 This article focuses on the condition of digital literatures as a medium for literary experimentation and its relationship with other artistic languages.
Juan Fernando Jaramillo Montoya +1 more
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Uschematyzowane wyglądy w teorii dzieła literackiego Romana Ingardena z perspektywy przekładu
Między Oryginałem a Przekładem, 2017 Schematized Aspects in Roman Ingarden’s Theory of the Literary Work of Art From the Perspective of Translation In the article is considered if it is possible that there is some kind of representations similarity in case of the author of the Literary ...
Joanna Kubaszczyk
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