Results 241 to 250 of about 174,150,964 (291)

"From Charlemagne to the Title of the King": Political novel between estrangement and recognition. [PDF]

Open Res Eur
Glavaš Z.
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The work of literary art as a means of intercultural communication

, 2003
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RETRACTED: Sentiment analysis of classical Chinese literature: An unsupervised deep learning model with BERT and graph attention networks.

PLoS One
Yu X, Wang J.
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Social Justice, Interpretation, and Literary Works of Art

Eco-ethica, 2012
The persistence of some central instances of social injustice in European democracies governed by the rule of law; despite abundant resources for durably reducing them, is poorly understood. Understanding better the nature of law as constructive interpretation may strongly motivate future applications of the rule of law to alleviating substantially the
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Works Recited: Franz Kafka and the Art of Literary Recitation

The Germanic Review: Literature, Culture, Theory, 2011
Literary recitation—the practice of reading out a written work before an audience—was an important dimension of Kafka's experience as a writer. In addition to documented encounters with famous Rezitatoren and his well-known habit of reading works to friends and family, Kafka engaged with the practice of recitation in several diary entries from early ...
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The Literary Work of Art as the Creative Power in Man

2002
In Roman Ingarden’s aesthetic studies devoted to literature, the category of metaphysical qualities appears only from time to time. The few comments that can be found on this subject are in one of the chapters of the Polish phenome-nologist’s great work Das literarische Kunstwerk, in some of the essays in the posthumously published Ksiązeczka o ...
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Review of Ingarden’s The Literary Work of Art / [PDF]

Abstract ; Povzetek.
Blaustein, Leopold, Gołaszewski, Filip. trl(SI-MaCOB)467708675   +1 more
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The Problematic Status of the Literary Work of Art in Contemporary Aesthetics

Transcultural Studies, 2017
Developing a system that would reunite all the arts and account for their similarities and differences on the basis of a shared set of criteria was one of the main objectives of the aesthetic discipline, whose roots run deep into romantic philosophy. The diversity of modernist experiments poses a number of challenges to such systematisation and invites
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