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2000
Abstract In a remarkable chapter in the fifth volume of Modern Painters, Ruskin contrasts the boyhoods of Giorgione and Turner, the one brought up in fifteenth-century Venice, with its emerald pavements and alabaster columns, the other in London in the 1770s and 1780s, in an atmosphere of Thames mud and Covent Garden cabbage-stalks ...
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Abstract In a remarkable chapter in the fifth volume of Modern Painters, Ruskin contrasts the boyhoods of Giorgione and Turner, the one brought up in fifteenth-century Venice, with its emerald pavements and alabaster columns, the other in London in the 1770s and 1780s, in an atmosphere of Thames mud and Covent Garden cabbage-stalks ...
openaire +1 more source