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Oktoechos Classification in Liturgical Music Using SBU-LSTM/GRU

Interspeech, 2022
A distinguishing feature of the music repertoire of the Syrian tradition is the system of classifying melodies into eight tunes, called ’oktoe¯chos’. It inspired many traditions, such as Greek and Indian liturgical music.
R. Rajan, Ananya Ayasi
semanticscholar   +1 more source

Missa Luba, An American Mass Program, and the Transnationalism of Twentieth-Century Black Roman Catholic Liturgical Music

Journal of Africana Religions, 2021
:This article explores the movement of Black Catholic liturgical music across the Black Atlantic, examining the creation in the 1950s of the Missa Luba in Belgian-occupied Congo, its subsequent popularity among Black U.S. Catholics, and the ways in which
Kim R. Harris
semanticscholar   +1 more source

The Jewish Liturgical Music Printing Revolution

Textual Transmission in Contemporary Jewish Cultures, 2020
Orality is the hallmark of all Jewish music cultures, and most especially of their liturgical music. Orality is not simply a technique of music mnemonics and transmission among Jews through the generations; it became, as Judit Frigyesi puts it, an ...
E. Seroussi
exaly   +2 more sources

Toward Standardizing Indigenous Liturgical Music Compositions in Catholic Diocese of Ikot Ekpene, Nigeria

open access: yesOpen Journal of Social Sciences, 2018
This paper sought to outline flaws inherent in indigenous liturgical music compositions in the Catholic Diocese of Ikot Ekpene. Recently, there has been a proliferation of indigenous liturgical Catholic songs for the various parts of the Mass by ...
Johnson Akpakpan
exaly   +2 more sources

Para-Liturgical Buddhist Music-Dance in Taiwan

Asian Musicology
Many forms of para-liturgical music and dance are currently performed in Taiwan, actively promoted through performances and recordings by various religious organizations and cultural enthusiasts.
Li-Hua Ho
semanticscholar   +1 more source

Growth of Liturgical Music in the Iakovian Era 1

Greek Music in America, 2018
Little has been written about the considerable changes in Greek Orthodox sacred music in America. In the late nineteenth and early twentieth centuries, the two most common types of Greek music performed were Byzantine and demotika.
Frank Desby
exaly   +2 more sources

Music as Liturgical Revelation

Irish Theological Quarterly, 2004
The author argues that music is the basis for language, awareness of temporality, and art - Heidegger's three essential dimensions of human consciousness. Thus musicality is crucial for the human person's integration with reality. Also, the author tells us, music is linked universally with hope, another primordial human instinct.
openaire   +1 more source

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