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Russian music before Glinka : a look from the beginning of the third millennium [PDF]
, 2009 Ritzarev, Marina
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2020
The chapter gives a brief survey of the huge development in liturgical music for the medieval Latin Church from orally transmitted chant in the eighth century to large-scale polyphonic mass composition in the fifteenth. However, it also points to the continued presence of monophonic chant throughout the period.
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The chapter gives a brief survey of the huge development in liturgical music for the medieval Latin Church from orally transmitted chant in the eighth century to large-scale polyphonic mass composition in the fifteenth. However, it also points to the continued presence of monophonic chant throughout the period.
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Liturgical Music and Liturgical Experience in Early Modern Italy
2017Our knowledge of liturgical music in early modern Italy, and early modern Europe in general, is surprisingly poor, based as it is on outdated visions that do not correspond to historical reality. Clearcut oppositions such as monody versus polyphony, free rhythm versus mensuration, sacred music versus secular music do not represent the perception and ...
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The Jewish Liturgical Music Printing Revolution
2020Orality is the hallmark of all Jewish music cultures, and most especially of their liturgical music. Orality is not simply a technique of music mnemonics and transmission among Jews through the generations; it became, as Judit Frigyesi puts it, an aesthetical ideal, and this principle applies not only to the East European Jewish traditions studied by ...
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Musical and Liturgical Practice
2020AbstractThe liturgy adopted by monastic communities offered their members the opportunity to express their piety and spiritual concerns, while simultaneously providing a public representation of the community’s spiritual identity. In particular, the cults of local saints, often supported by their relics, distinguished individual monasteries from their ...
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2018
Music in its widest definition (sound and silence organized in time) is never absent from Christian worship. The diversity of styles and forms employed both chronologically and synchronically, as well as the varied theological, aesthetic, and sociological positions concerning musical norms evident in every ecclesial community, provides a window into ...
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Music in its widest definition (sound and silence organized in time) is never absent from Christian worship. The diversity of styles and forms employed both chronologically and synchronically, as well as the varied theological, aesthetic, and sociological positions concerning musical norms evident in every ecclesial community, provides a window into ...
openaire +1 more source