Results 21 to 30 of about 448 (183)

Disruptive Repentance: Protesting in the Morning Service at Waitangi in 1983

open access: yesJournal of Religious History, EarlyView.
In 1983 on Waitangi Day, nine Pākehā Christian protesters (including Catholic, Anglican, Presbyterian and Baptist ministers) were arrested and charged with disorderly behaviour for interrupting the morning church service at Waitangi. In solidarity with Māori activists and wider protests, they sought to draw attention to the longstanding failure of the ...
Michael Mawson
wiley   +1 more source

Handelinge in die erediens: Die verryking van die liturgie deur musiek

open access: yesHTS Teologiese Studies/Theological Studies, 2005
Actions in the worship service: Enriching liturgy through music The worship service in the Reformed Churches in South Africa has of late come under pressure. On the one hand it is experienced as too rigid and “traditional”.
Elsabé Kloppers
doaj   +1 more source

Beyond Translated vs. Indigenous: Turkish Protestant Christian Hymnody as Global and Local Identity

open access: yesReligions, 2021
At Turkey’s first national worship conferences in 2011, a passionate debate arose on whether Western music or indigenous Turkish music was most appropriate for worship.
Jeremy Perigo
doaj   +1 more source

The Acts of Eadburg: drypoint additions to Oxford, Bodleian Library, MS Selden Supra 30

open access: yesEarly Medieval Europe, EarlyView.
In 1913, two drypoint additions were identified in Oxford, Bodleian Library, MS Selden Supra 30 (SS30), an eighth‐century Southumbrian copy of the Acts of the Apostles. It was suggested that these additions, cut into the membrane of p. 47, were abbreviations of the Old English female name, Eadburg. Just over a century later, many more drypoint markings
Jessica Hendy‐Hodgkinson
wiley   +1 more source

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

open access: yesModern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

The Diremption of Meaning

open access: yesModern Theology, EarlyView.
Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
wiley   +1 more source

Jumalanpalveluksen musiikki osallisuuden kokemuksen vahvistajana

open access: yesTrio
This artistic doctoral research centred on organ music in the liturgical context. The topic of the degree was “Venez Esprit-Saint, et envoyez-nous du ciel un rayon de votre lumière – French liturgical organ music in the Finnish liturgical service”.
Anna Pulli-Huomo
doaj   +1 more source

The Sixth Scroll: The Ritualization of Israel's Declaration of Independence

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This article examines the ritualization of Israel's Declaration of Independence (2011–2025) as part of broader efforts by Israeli Jewish renewal organizations to craft a national counter‐narrative. It argues that reframing the Declaration as a quasi‐sacred text—situated within the Jewish traditional corpus and recited with Biblical ...
Adi Sherzer
wiley   +1 more source

King David and the Frog

open access: yesMuzikološki Zbornik, 2015
The interrelations between the liturgical and paraliturgical genres of sacred music in both live practice and in historiography are explored. Parallels are found between eighteenth-century Russian and modern Hebrew religious music. The author's theory of
Marina Ritzarev
doaj   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

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