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The Classical Quarterly, 1998
Towards the start of the elegy which prefaces his third book, Propertius rejects lengthy, martial epic in favour of slender poetry (3.1.7–8): it is on account of the latter that fame (fama) elevates him above the earth, his Muse triumphant (9–10); accompanying him in the triumphal chariot are his Amores (11), and following the wheels is a crowd of ...
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Towards the start of the elegy which prefaces his third book, Propertius rejects lengthy, martial epic in favour of slender poetry (3.1.7–8): it is on account of the latter that fame (fama) elevates him above the earth, his Muse triumphant (9–10); accompanying him in the triumphal chariot are his Amores (11), and following the wheels is a crowd of ...
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The two Tarquins from Livy to Lorenzo Valla: history, rhetoric and embodiment
Intellectual History Review, 2022Daniele Miano
exaly
The Negative Legislator: Machiavelli’s Popular Epistemocracy in the Discourses on Livy
Jus CogensAndre Santos Campos
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The lex Oppia in Livy 34.1–7: Failed Persuasion and Decline
The Ancient Art of Persuasion across Genres and Topics, 2019G. Vassiliades
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