Results 41 to 50 of about 8,656 (101)

Glasba kot globalizacijski jezik? Metajezikovni kontekst Lebičeve glasbe

open access: yes, 2007
Glasba je izpostavljena kot najbolj odmeven medij globalizirajočega sveta. S svojo navidezno nepojmovnostjo in kulturno nedeterminiranostjo predstavlja model jezika, ki ne razdvaja.
Matjaž Barbo, Barbo, Matjaž
core   +1 more source

Glasba se prelevi v čustva [PDF]

open access: yes, 2016
From today\u27s perspective, Alex North\u27s score for the 1951 film A Streetcar Named Desire, which was considered remarkable even at the time, can claim legendary status. The titles of the 16-track score suggest that the music focuses on the characters,
Tomaž Onič, Onič, Tomaž
core   +1 more source

Music without Social Life: The Garmon’ Player Mikhail Sorochinsky – A Nonrevivalist Musician in Smolensk Province

open access: yesTraditiones, 2018
Against the background of generally low music activity in rural Russia, the button accordion (garmon’) player Mikhail Sorochinsky from the Smolensk province (Smolenskaja oblast) lives an intensive yet solitary musical life. The paper presents Sorochinsky’
Ulrich Morgenstern
doaj   +1 more source

Slovenian Recordings on 78 RPM Records

open access: yesTraditiones, 2014
Prispevek obravnava slovensko gradivo na gramofonskih ploščah z 78 o/min, ki je nastalo v obdobju od najzgodnejših posnetkov do začetka 2. svetovne vojne.
Drago Kunej
doaj   +1 more source

A Common European Song Heritage in the Nineteenth Century Songs of Ireland and Germany

open access: yesTraditiones, 2009
This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger,
David Robb
doaj   +1 more source

Prizadevanja Franceta Marolta proti nemškim vplivom v slovenski ljudski glasbi

open access: yesMuzikološki Zbornik
Prispevek obravnava razumevanje tujih, zlasti nemških, kulturnih vplivov pri Francetu Maroltu na oblikovanje slovenske glasbene identitete. Pokaže, da je Marolt z izbiranjem in vrednotenjem folklornega gradiva aktivno soustvarjal nacionalni kanon ...
Urša Šivic
doaj   +1 more source

Glasbenozgodovinsko in glasbenoestetsko ozadje fenomena »salonska glasba« na primeru meščanske glasbene prakse na Kranjskem [PDF]

open access: yes, 2013
Članek obravnava specifiko fenomena »salonska glasba« na primeru meščanske glasbene prakse na Kranjskem v 'obdobju virtuoznosti' in po njem. Prikazani so vplivi modnega salonskega repertoarja v poustvarjalnosti in njegova recepcija pred sredino 19 ...
Cigoj Krstulović, Nataša   +1 more
core   +1 more source

Home - About - Disclaimer - Privacy