Results 11 to 20 of about 3,484,510 (162)

Los Caprichos. Crónicas de una guerra, de Gustavo Cochet, y Los caprichos de Cochet. La obra escondida

open access: yesCaracol, 2016
O duplo artigo combina arte, memória e história individual e coletiva a fim de ler a vida e a obra do pintor argentino Gustavo Cochet.
Prece, María Eugenia, Cochet, Silvia
openaire   +4 more sources

Sobre la reseña de los Caprichos de Goya en el Semanario Patriótico de 1811 y el Diccionario de Gallardo. Una nota

open access: yesCuadernos de Ilustración y Romanticismo, 2020
A review of Goya's Caprichos appeared in the Semanario Patriótico (newspaper published in 1811 in Cádiz). Its author, from Bartolomé José Gallardo's circle, interprets them as a hard moral satire.
Alberto Romero Ferrer
doaj   +2 more sources

Goya investigado por la Inquisición: la censura de los Caprichos en 1804.

open access: yesPríncipe de Viana, 2021
En este artículo se presenta un documento inédito que evidencia que la serie de los Caprichos de Goya fue investigada por el Tribunal de la Inquisición de Toledo en 1804. Es destacable que dicha causa se produjera un año después de que Goya cediese las planchas y las series ya estampadas de los Caprichos a la Corona, en un momento en que esta obra se ...
José María Lanzarote Guiral
semanticscholar   +4 more sources

Goya’s Los Caprichos: An Enlightened Bestiary

open access: yesThe Eagle Feather, 2011
This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Julie Thompson
openaire   +2 more sources

La representación grotesca de la nación española en los Caprichos de Goya

open access: yesTabula Rasa
The life of Francisco de Goya, a masterful artist whose life spanned the period between the  Enlightenment and the turbulent changes in Spain during the 18th and 19th centuries.  From 1792 onwards, his works took on a more introspective tone, particularly evident  in his series Los Caprichos [The Caprices].
Clara Mengolini
openaire   +2 more sources

"Goya. Los Caprichos", Anna Pou van den Bossche

open access: yesActa Artis: Estudis d'Art Modern, 2013
Goya. Los Caprichos, Anna Pou van den Bossche"Goya.
H. C. Jacobs
openaire   +4 more sources

Julián Meza: los caprichos del viajero

open access: yesEstudios: filosofía, historia, letras, 2012
Francisco Segovia
openaire   +2 more sources

African Political Elites and the Making(s) of the China Model in Africa

open access: yesPolitics &Policy, Volume 48, Issue 5, Page 887-907, October 2020., 2020
States in Africa are labeled “system ineffectual,” inconsequential to global politics, and lacking material and ideational capabilities to structure their foreign relations. The result is a portrayal of a passive Africa at the whims of its bilateral partners—be they China, the United States, or Russia.
Obert Hodzi
wiley   +1 more source

Stirling, Ford, and nineteenth-century reception of Goya: The case of the Santa Justa and Santa Rufina: 'abomination' or 'appropriate composition'? [PDF]

open access: yes, 2007
This article considers an aspect of the complex relationship between the two best-known British Hispanophiles, Richard Ford and William Stirling, as the starting point for an examination of their response to Goya's art, in particular, his Santa Justa and
Macartney, H.
core   +1 more source

Cuerpos a la moda: el cuerpo “a la medida” en Sirena Selena Vestida de pena de Mayra Santos Febres

open access: yesCriando, 2018
Sirena Selena, protagonista de la novela Sirena Selena vestida de pena de la puertorriqueña Mayra Santos Fables, es el cuerpo expuesto a la mirada lasciva de los otros, la carne herida entregada al expolio de los demás, ofrecida al escarnio y a la ...
César Ricardo Azamar Cruz
doaj   +1 more source

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