Results 111 to 120 of about 17,363 (164)
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Journal of the Acoustical Society of America, 1998
Absolute thresholds for and loudness matches between pure tones and four- and ten-tone complexes were used to assess the form of the function relating loudness to sensation level, SL, at low and moderate levels. The components of the tone complexes had equal SLs and were separated by one, two, four, or six critical bands.
M Florentine, S Buus, Florentine Mary
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Absolute thresholds for and loudness matches between pure tones and four- and ten-tone complexes were used to assess the form of the function relating loudness to sensation level, SL, at low and moderate levels. The components of the tone complexes had equal SLs and were separated by one, two, four, or six critical bands.
M Florentine, S Buus, Florentine Mary
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Loudness changes induced by a proximal sound: Loudness enhancement, loudness recalibration, or both?
Journal of the Acoustical Society of America, 2007The effect of a forward masker on the loudness of a target tone in close temporal proximity was investigated. Loudness matches between a target and a comparison tone at the same frequency were obtained for a wide range of target and masker levels. Contrary to the hypothesis by Scharf, Buus, and Nieder [J. Acoust. Soc. Am.
Daniel Oberfeld
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Archives of Otolaryngology - Head and Neck Surgery, 1954
THE LOUDNESS growth in the normal ear adheres to a rather precise formula in conformity with the corresponding increase in intensity. At 1,000 cps a one to one ratio is obtainable between the sensation units of loudness and the decibels of intensity, while for all other cycles, the growth of loudness follows the equal loudness contour of Fletcher and ...
M, SALTZMAN, M S, ERSNER
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THE LOUDNESS growth in the normal ear adheres to a rather precise formula in conformity with the corresponding increase in intensity. At 1,000 cps a one to one ratio is obtainable between the sensation units of loudness and the decibels of intensity, while for all other cycles, the growth of loudness follows the equal loudness contour of Fletcher and ...
M, SALTZMAN, M S, ERSNER
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2022
Kevin C. Neece’s “Loud Prayers: Communion, Transcendence, and the Blues in Scorsese’s The Last Waltz” analyzes the “religious urge” found in the film The Last Waltz. The chapter begins with a discussion of Scorsese’s films, including Taxi Driver, and their religious influences and undertones.
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Kevin C. Neece’s “Loud Prayers: Communion, Transcendence, and the Blues in Scorsese’s The Last Waltz” analyzes the “religious urge” found in the film The Last Waltz. The chapter begins with a discussion of Scorsese’s films, including Taxi Driver, and their religious influences and undertones.
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Acta Oto-Laryngologica, 1980
Paradoxically, measurements of the loudness of tinnitus indicate that the noise is not a very loud one, yet many persons experiencing it report severe distress. It has been suggested that either loudness has not been measured correctly or that some other factor such as recruitment may be involved.
P E, Goodwin, R M, Johnson
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Paradoxically, measurements of the loudness of tinnitus indicate that the noise is not a very loud one, yet many persons experiencing it report severe distress. It has been suggested that either loudness has not been measured correctly or that some other factor such as recruitment may be involved.
P E, Goodwin, R M, Johnson
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Imbizo, 2023
This short story follows the traumatic experience of rape and gendered violence of Darren. Caught in a world where some things are accepted, while others are hidden away, he attempts to live his life as genuinely as he can. But, as he relives his experiences, he shows the complicated power dynamics that many LGBTQIA+ children face with paternal figures,
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This short story follows the traumatic experience of rape and gendered violence of Darren. Caught in a world where some things are accepted, while others are hidden away, he attempts to live his life as genuinely as he can. But, as he relives his experiences, he shows the complicated power dynamics that many LGBTQIA+ children face with paternal figures,
openaire +1 more source
The American Journal of Psychology, 1973
The present study employed 600 subjects and extended earlier experiments under 'ideal' conditions to white noise. When known experimental biases were eliminated, half loudness was equal to half sound-pressure level (-6 dB) from 45 through 90 dB. The same simple relation held whether stimulation was through headphones or loudspeaker, and whether ...
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The present study employed 600 subjects and extended earlier experiments under 'ideal' conditions to white noise. When known experimental biases were eliminated, half loudness was equal to half sound-pressure level (-6 dB) from 45 through 90 dB. The same simple relation held whether stimulation was through headphones or loudspeaker, and whether ...
openaire +2 more sources
Suprathreshold Loudness Adaptation
The Journal of the Acoustical Society of America, 1972Loudness adaptation at 500 Hz (70 dB SPL) was measured over a 7-min stimulation period using the tracking method. The duration of a simultaneous, contralaterally presented comparison stimulus (400 Hz) was either 250 or 3000 msec. Duty cycle of the two comparison stimuli was identical (3313%), however, use of the tracking method (8 dB/sec attenuation ...
D E, Morgan, D D, Dirks
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Acta Oto-Laryngologica, 1986
Although tinnitus causes considerable suffering to many patients, its loudness is small in most cases. Traditionally the loudness is measured with a binaural loudness balance procedure. It is stated that when there is recruitment in the ear to which the test tone is presented, the intensity of the test tone is smaller than its loudness.
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Although tinnitus causes considerable suffering to many patients, its loudness is small in most cases. Traditionally the loudness is measured with a binaural loudness balance procedure. It is stated that when there is recruitment in the ear to which the test tone is presented, the intensity of the test tone is smaller than its loudness.
openaire +2 more sources